The Print Center

Checklist

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Circuits of Print

Lisa Blas

All works courtesy of the Artist 
All photos by Brad Farwell 

Enter Stage Left (Monday’s image, v. 1), 2018 
Dye sublimation print on silk 
40” x 32” 
Unique 

Enter Stage Left (Monday’s image, v. 1), 2018 
Offset lithograph 
30” x 22 ¾” unfolded, 15” x 11” folded 
Edition of 500 

Enter Stage Left (Monday’s image, v. 1) 
Installation view 

First(s), Monday’s image, v. 2 
First(s), Monday’s image, v. 4 
First(s), Monday’s image, v. 5 
First(s), Monday’s image, v. 8 
2021 
Dye sublimation prints on silk 
40” x 30” 
Unique 

First(s), Monday’s image, v. 1 
First(s), Monday’s image, v. 3 
First(s), Monday’s image, v. 6 
First(s), Monday’s image, v. 7 
2021 
Dye sublimation prints 
40” x 30” 
Edition of 3 with 2 APs 

Helena Hernmarck

Front Pages, 1981-82 
Wool, cotton and linen tapestry with discontinuous tabby weave and discontinuous pattern including soumak technique 
94” x 118 ½” 
Courtesy of the Artist and the Museum of Arts and Design, New York 
Photo: Eva Heyd 

Archival images related to works by Helena Hernmarck

All images courtesy of the Artist 

Two detail photographs of Front Pages 

Installation view of Front Pages at the American Craft Museum, New York (now Museum of Arts and Design) 

Installation view of Front Pages at the Helena Hernmarck retrospective at the Fashion Institute of Technology, New York, 1999 

Installation view of Front Pages at the Helena Hernmarck retrospective at the Prins Eugens Waldemarsudde, Stockholm, 1999. Photo: Ake E:son Lindman 

Source image for Front Pages by Sally Andersen-Bruce 

Beatriz González 

All works courtesy of the Artist, Casas Riegner, Bogotá and Banco de Archivos Digitales de Artes en Colombia, Bogotá. 

Jackeline Oasis, 1975 
Screenprint 
19 ¾” x 19 ¾” 
Edition of 25 
Printed at the Enrique Hernández Workshop 

La actualidad ilustrada [Illustrated current events], 1973 
Screenprint 
22 ½” x 24 ¾“ 

La iglesia está en peligro [The Church is in Danger], 1976 
Screenprint 
19 ½” x 19 ½” 
Edition of 25 
Printed at the Enrique Hernández Workshop 

Lesa majestad [High Treason], 1974 
Screenprint 
30” x 18” 
Edition of 150 
Printed at the Enrique Hernández Workshop 

Archival images related to works by Beatriz González 

Clipping from a newspaper with the image of Jacqueline Onassis on camelback [Recorte de periódico con la imagen de Jacqueline Onassis a lomo de camello], as published in EL TIEMPO 

Clipping from a newspaper with an image of the news “The Church is in Danger” [Recorte de periódico con imagen de la noticia “La iglesia está en peligro”], as published in EL TIEMPO 

Clipping from a newspaper with the image of the mural The liberator inaugurates the constitutional regime of Colombia in the Villa del Rosario by Santiago Martínez [Recorte de periódico con la imagen del mural El libertador inaugura el régimen constitucional de Colombia en la Villa del Rosario de Santiago Martínez], as published in EL TIEMPO 

Magazine cover with the image “Anna and Mark, the couple of the year” [Portada de revista con la imagen “Ana y Mark, la pareja del año”], as published in CROMOS 

Soledad Salamé 

All works courtesy of the Artist and Goya Contemporary Gallery, Baltimore 
All photos by Michael Koryta 

Farmer 
Drought 
Looking at Freedom 
Obama 
Untitled 
Water Bases 
From the series “Layered News,” 2019-2020 
Embroidered prints 
12” x 12” 

Drought 
Looking at Freedom 
From the series “Newspaper, Almost Transparent,” 2019-2020 
Laser-engraved and sandblasted folded glass 
12” x 12” 
Unique 


Print as Transposition

Jennifer Bolande

All works courtesy of the Artist and Magenta Plains, New York 

Frontal view of Image Tomb (with skeletons
Overhead view of Image Tomb (with skeletons
2014 
Newspaper, pigment prints, vitrine and wood 
45 ½” x 13 ½” x 13 ½” 

Composition of Decomposition #65 
Composition of Decomposition #84 
Composition of Decomposition #145 
Composition of Decomposition #156 
Composition of Decomposition #164 
Composition of Decomposition #217 
Composition of Decomposition #257 
Composition of Decomposition #321 
2016-2017 
Pigment prints 
19 ¾” x 32” 

Chryssa

Newspaper, c.1962 
Transfer print and pencil on canvas 
104 ½” × 120 ½” × 1” 
Courtesy of The Menil Collection, Houston 
Photo: George Hixson © Bridgeman Images 

Rita Maas

All works courtesy of the Artist 

April 2 – April 8, 2020, 2020 
December 19 – December 25, 2019, 2020 
January 7 – January 13, 2021, 2021 
January 21 – January 27, 2021, 2021 
July 2 – July 8, 2020, 2020 
July 23 – July 30, 2020, 2020 
May 14 – May 20, 2020, 2020 
November 5 – November 11, 2020, 2020 
October 16 – October 22, 2020, 2020 
September 17 – September 24, 2020, 2020 
From the series “Today I Got Up” 
Sharpie and reclaimed Epson ink 
22” x 17” 
Unique 

Jef Geys

All works courtesy of the Estate of Jef Geys / Kazini 

Kempens Informatieblad, Biotoop, May 2003 

Kempens Informatieblad, Edition Speciale Frac Champagne – Ardenne Reims, June 1995 

Kempens Informatieblad, Edition Speciale – Le Magasin – Grenoble, February 25, 1989 

Kempens Informatieblad, Martin Douven Leopoldsburg and Jef Geys – Production-Line Paintings, 2011 

Kempens Informatieblad, Sonderausgabe Kunstverein München, October 2001 

Kempens Informatieblad, Speciale Editie Biennale Venetië, 2009 

Kempens Informatieblad, Speciale Editie Kodec, December 2010 

Kempens Informatieblad, Speciale Editie Leuven, Edition Speciale Wavrin “Lapin Rose Robe Bleu,” March 1992 

Kempens Informatieblad, Speciale Editie Paleis Voor Schone Kunsten Brussel, June 3 – July 2, 1992 

Kempens Informatieblad, Speciale Editie Pori, June 2005 

Kempens Informatieblad, Speciale Editie Siegen, Fall 2003 

Kempens Informatieblad, Speciale Editie Villeurbanne, April 6 – June 3, 2007 

Kempens Informatieblad, Speciale Editie Wakken – Brugge – Zedelgem, September 22, 1991 

Kempens Informatieblad, Speciale Editie Wikileaks – Nanotechnology, 2012 

Kempens Informatieblad, Special Edition Detroit – Woodward Avenue, 2010 

Kempens Informatieblad, Special Edition – New York 

Kempens Informatieblad, Special Edition Serpentine London, March 1995 


Print Interventions

Laura Fields 

All works courtesy of the Artist, 12” x 6” 

The New York Times, May 31, 2012, 2014 
Spread from Front Pages with Pictures of Women 

The New York Times, September 5, 2012, 2014 
Spread from Front Pages with Pictures of Women 

The New York Times, February 21, 2013, 2014 
Spread from Front Pages with Pictures of Women 

The New York Times, February 24, 2013, 2014 
Spread Front Pages with Pictures of Women 

The New York Times, November 17, 2014, 2017
Spread from Front Pages with Pictures of Women and Flowers 

The New York Times, October 13, 2015, 2017
Spread from Front Pages with Pictures of Women and Flowers 

The New York Times, March 24, 2016, 2017 
Spread from Front Pages with Pictures of Women and Flowers 

The New York Times, May 17, 2020, 2020 
Spread from Front Pages with Pictures of Women Fighting COVID 

The New York Times, July 12, 2020, 2020 
Spread from Front Pages with Pictures of Women Fighting COVID 

The New York Times, November 5, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID 

The New York Times, December 24, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID 

The New York Times, December 26, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID 

Dan Perjovschi

All works courtesy of the Artist 

The Wall after the Wall after the Wall… 
Installation view with the artist from the exhibition Le mur après le mur après le mur, Michel Rein, Paris 2018 

Welt not Well 
Installation view in the exhibition Drawing Politics at Reinbeckhallen, Berlin, 2017 

Welt not Well (Gaga) 
Welt not Well (Hero) 
Welt not Well (War) 
2017 
Ink on newsprint 

The Wall after the Wall after the Wall… (Hope) 
The Wall after the Wall after the Wall… (Populists) 
2018 
Ink on newsprint 

Donna Ruff

All works courtesy of the Artist and Rick Wester Fine Art, New York 

9.7.15, 2015 
18.2.16_Daniel, 2017 
From “The Migrant Series” 
Deacidified newspaper 
16” x 14” 
Unique 

After Irma, 2018 
Daniel, 2017 
Division, 2018 
Polar Melt, 2018 
Pigment prints of collaged photograms 
Edition of 3 

Paul Thek

All works courtesy Alexander and Bonin, New York 
Photos: Jorge Lohse © The Estate of George Paul Thek 

Earth Men, 1975 
Acrylic on newspaper 
22 ¾” x 33 ¼” 

Untitled (Birds and Mushroom), c.1969 
Gouache and collage on newspaper 
23” x 17” 

Untitled (C.D.F.), 1975 
Watercolor and colored chalk on newspaper 
50 ⅜” x 35 ¼” 

Untitled (Fishtail), c.1969 
Acrylic on newspaper 
22 ¾” x 16 ¾” 

Untitled (Hammer and Sickle), 1975 
Oil pastel on newspaper 
22 ¾” x 33 ½” 

While There is Time Let’s Go Out and Feel Everything, 1988 
Acrylic on newspaper 
22” x 27 ½”