ABOUT THE JURORS
Anders Bergstrom is a Director at Hauser & Wirth and oversees its editions program. In addition to working with Zoe Leonard and the Estate of Philip Guston, he publishes new editions and works with prints by the gallery’s stable of artists and estates. Bergstrom also organizes print-focused exhibitions at the gallery’s 18th Street location in New York City. In his own decades-long practice as an artist and practitioner of printmaking, he has been exhibited widely and his work is held in many public collections including the New York Public Library and The Metropolitan Museum of Art, both New York, NY, and the Worcester Art Museum, MA. He is represented by Dolan/Maxwell in Philadelphia, PA and Planthouse in New York. Bergstrom sits on the boards of Print Center New York and the International Fine Art Print Dealers Association.
We asked Bergstrom three questions about his career and approach to jurying. Read the interview here!
Joshua Chuang is Director of Photography at Gagosian as well as a curator, writer and photobook editor. He was formerly Miriam & Ira D. Wallach Associate Director for Art, Prints, and Photographs and Robert B. Menschel Senior Curator of Photography at the New York Public Library. Chuang has also held curatorial positions at the Center for Creative Photography and Yale University Art Gallery. Exhibitions he has organized have been shown at LACMA, Los Angeles, CA; Philadelphia Museum of Art, PA; Museo Reina Sofía, Madrid, Spain; The Walther Collection, Neu-Ulm, Germany; Jeu de Paume and Le Bal, both Paris, France; and the Fotomuseum Winterthur, Germany; among other venues. Chuang’s projects include Kikuji Kawada: Chizu (Maquette Version) (2021); Judith Joy Ross (2021); The Color of a Flea’s Eye: The Picture Collection by Taryn Simon (2021); Sun Gardens: Cyanotypes by Anna Atkins (2018); and Robert Adams: The Place We Live (2011).
Lesley Martin is the Executive Director of Printed Matter, Inc., overseeing its extensive retail offering of artist books, its highly respected programming including exhibitions, events and an active publishing program, as well as its premier annual LA and NY Art Book Fairs. Formerly, she was the creative director of Aperture and founding publisher of The PhotoBook Review. She has been a visiting critic at the Yale University Graduate School of Art since 2016, and co-founded the Paris Photo–Aperture Foundation PhotoBook Awards. Her writing has been published in Aperture, FOAM and IMA magazine, among other publications, and she has edited and commissioned over one hundred books of photography, including LaToya Ruby Frazier: A Notion of Family; Rinko Kawauchi: Illuminance; Stephen Shore: Selected Works; Zanele Muholi: Somnyama Ngonyama; The New Black Vanguard by Antwaun Sargent; Sara Cwynar: Glass Life; and Tommy Kha: Half, Full, Quarter. Martin has curated exhibitions that have traveled both nationally and internationally, including Mickalene Thomas: Muse; The Ubiquitous Image; and Aperture Remix, a commission-based exhibition celebrating Aperture’s sixtieth anniversary.