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DTSTART;TZID=America/New_York:20180726T180000
DTEND;TZID=America/New_York:20180726T193000
DTSTAMP:20260511T092052
CREATED:20180711T160606Z
LAST-MODIFIED:20180720T151335Z
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SUMMARY:BYO Social with Qiaoyi Shi
DESCRIPTION:STOP IN FOR OUR BYO SOCIAL\nWITH QIAOYI SHI\nThursday\, July 26\, 6:00pm – 7:30pm\nFREE\nJoin us for a fun and casual BYOB evening at The Print Center with printmaker Qiaoyi Shi!\n\nBYO Socials bring artists and art appreciators together for casual conversation and the chance to see new artwork.\n\nCome talk with artist Qiaoyi Shi and get a first look at her recent risograph and lithograph prints and books\, as well as a selection of amazing tote bags\, cards\, t-shirts and more. Chat with Qiaoyi about her process and projects – and pick up one of her whimsical\, colorful pieces!\n\n  \nAbout the artist: https://printcenterstore.myshopify.com/collectio…/qiaoyi-shi\n\n\n \nImage: Qiaoyi Shi\, Green Melon\, 2018 \n  \nShare this event with your friends!
URL:https://printcenter.org/100/event/byo-social-with-qiaoyi-shi/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180804T150000
DTEND;TZID=America/New_York:20180804T180000
DTSTAMP:20260511T092052
CREATED:20180718T204100Z
LAST-MODIFIED:20180720T151426Z
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SUMMARY:Book Launch with Jacob Koestler
DESCRIPTION:   \nThe Print Center is very pleased to host the launch of\nJacob Koestler‘s photobook titled Everybody Wants Somewhere.\nPlease join us for the book signing.\nKoestler’s work was selected from the 92nd ANNUAL Competition to receive a solo exhibition at The Print Center. Jacob Koestler: Copy of a Copy is currently on view through August 4\, 2018. \n  \n  \n  \nEverybody Wants Somewhere\nJacob Koestler\nDesign by Elana Schlenker\n96 pages\n73 black & white photographs\nSoft cover | perfect bound | 9” x 7”\nFirst edition of 250\n© 2018 Jacob Koestler \nPhotographs by Jacob Koestler\nEssay by Gary Sampson\nProduced with support from:\nFred and Laura Ruth Bidwell Foundation\nCatLABS of JP \nThe book will be available for purchase for $30. \n  \n“The stark character of modernist ideology persists in the built environment all around us.  From its onset early in the 20th century\, the singular urge to strip away ornament\, seen as a marker of exploitation\, signified the architect’s desire to meet the needs of workers and to seek meaning in the new materials of construction\, with the promise of social liberation from the tyranny of class\, including the vagaries of fashion. The photographs of Jacob Koestler would cast doubt on the success of these ideals in light of contemporary realities.  As one contemplates Everybody Wants Somewhere\, a kind of salvage operation occurs regarding the remnants of places of labor\, the impenetrable windows of sequestered lives\, the construction and massing of skyscrapers\, the dismal evidence of economic disparity without so much as a figure.  One may want to avoid any serious investigation of these typically shunned\, unappealing elements\, but this reclamation through the photographer’s intelligent\, perceptual and bodily reconnoitering and chance selectivity in seeing\, however\, may defeat the immediate response to look away.” \nFrom Gary Sampson\nEverybody Wants Somewhere\, 2018 \n  \n“In Copy of a Copy [currently on view at The Print Center]\, Koestler distinguishes between making and looking at photographs\, actions which have become almost simultaneous but once were separated by developing … Several images come from the series Everybody Wants Somewhere. The most absorbing are twins\, “West Coast View (Overexposed)” and “West Coast View (Underexposed).” Seen across a gallery\, the former seems an empty canvas while its sibling appears a black hole. Details emerge on approach\, but it never feels like everything is visible. This is Koestler’s point: from a distance\, things tend to look black or white. To understand\, you have to get closer.” \nFrom Pamela J. Forsythe\nPerception vs. Memory\, Broad Street Review\, 2018
URL:https://printcenter.org/100/event/book-launch-with-jacob-koestler/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180927T060000
DTEND;TZID=America/New_York:20180927T193000
DTSTAMP:20260511T092052
CREATED:20180919T153838Z
LAST-MODIFIED:20180927T153039Z
UID:6831-1538028000-1538076600@printcenter.org
SUMMARY:BOOK SIGNING: Tom Griggs and Paul Kwiatkowski\, Ghost Guessed
DESCRIPTION:JOIN US FOR A BOOK SIGNING\nTom Griggs and Paul Kwiatkowski\nGhost Guessed \nThursday\, September 27\, 6:00pm \nPlease join us in celebration of the recently released book Ghost Guessed with the photographers and authors Tom Griggs and Paul Kwiatkowski.. \n\n\nOn November 13\, 2009\, Andrew Lindberg\, a young pilot\, departed from the Twin Cities to meet his father for a hunting trip in northern Minnesota. He never arrived; a few days later\, Lindberg’s plane was located deep within the wilderness of the White Earth Indian Reservation. \nIn Ghost Guessed Tom Griggs and Paul Kwiatkowski examine how absences caused by death make memories\, no matter how abstract\, more salient and complex. A combination of intimate prose and photographs brings into focus our human connections as filtered through technology and visual media. From Lindberg’s accident to the mystery of Malaysia Airlines Flight 370\, Ghost Guessed reflects on how we process loss as it plays out in the ongoing digitalization of our lives. \n  \n  \n \n“Ghost Guessed is a beautiful\, complex construction of images and words\, sound and texture\, facts informed by memory\, loss and\, ultimately\, love.”\n-Andrea Modica\, photographer \nTom Griggs is a photographer\, writer and professor at La Universidad de Antioquia in Medellin\, Colombia. He is Founding Editor of the photography site Fototazo. His first book Herida y fuente was published by Mesæstándarin\, 2017. \nPaul Kwiatkowski\, a photographer and writer\, is based in New York. His first book And Every Day Was Overcast was released by Black Balloon\, 2013. \nGhost Guessed\, Tom Griggs and Paul Kwiatkowski\, Published by Mesæstándar\, hardcover\, 156 pages\, text in English and Spanish\, $30\, available for purchase at The Print Center. \nRelease
URL:https://printcenter.org/100/event/book-signing-tom-griggs-and-paul-kwiatkowski-ghost-guessed/
LOCATION:PA
CATEGORIES:book launch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181010T180000
DTEND;TZID=America/New_York:20181010T193000
DTSTAMP:20260511T092052
CREATED:20180919T160030Z
LAST-MODIFIED:20180919T160030Z
UID:6845-1539194400-1539199800@printcenter.org
SUMMARY:Conversation + Book Launch: Rochelle Toner\, Collage Drawings 1873 - 2018
DESCRIPTION:CONVERSATION AND BOOK LAUNCH \n      \nWednesday\, October 10\, 6:00 – 7:30pm \n  \nJoin us for a conversation with artist Rochelle Toner and exhibition curator John Caperton exploring the outstanding body of work Toner has created between the 70s and today. \n  \nWe are delighted to launch a new publication from Temple Contemporary\, Tyler School of Art\, Rochelle Toner\, Collage Drawings 1873 – 2018 by Robert Blackson. The 32-page\, full-color book in an edition of 300\, features 12 of Toner’s most recent collage drawings reproduced at their actual size of 12″ x 9 ½”. These works are composed directly on top of lithographs drawn from the pages of an 1873 geological survey of the Western Territories of the U.S. These prints of fossils\, bones and other natural specimens were given to Toner by artist Robert Flynt. \n  \nTemple Contemporary is pleased to continue this cycle of giving by offering Rochelle Toner\, Collage Drawings 1873 – 2018 to visitors of The Print Center’s exhibition free of charge. \n  \nImage courtesy of Rochelle Toner\, Plate XXXII\, 2018
URL:https://printcenter.org/100/event/conversation-book-launch-rochelle-toner-collage-drawings-1873-2018/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181022T180000
DTEND;TZID=America/New_York:20181022T200000
DTSTAMP:20260511T092052
CREATED:20181003T214518Z
LAST-MODIFIED:20181015T213144Z
UID:6929-1540231200-1540238400@printcenter.org
SUMMARY:Artist Talk\, Film Screening + Book Signing with Henry Horenstein
DESCRIPTION:Artist Talk\, Film Screening + Book Signing\nWith Henry Horenstein  \nMonday\, October 22\, 2018\, 6:00pm \n     \nThe University of the Arts\, Caplan Auditorium\nTerra Hall\, 16th & 17th floors\n211 S. Broad Street\, Philadelphia\, PA \n  \n  \nWe are pleased to present PARTNERS\, directed by Henry Horenstein\, in conjunction with the University of the Arts Photography Program. PARTNERS is a fascinating documentary incorporating clips from interviews with couples who discuss how they met and how their relationships work. Some are fairly conventional while others are wildly unorthodox. PARTNERS is about acceptance and a celebration of choice. \nBefore the screening\, Horenstein will talk about his work and career\, and after\, there will be a chance to purchase signed copies of his many exceptional books. \nFree and open to the public\, seating is limited
URL:https://printcenter.org/100/event/artist-talk-screening-book-signing/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181030T143000
DTEND;TZID=America/New_York:20181030T170000
DTSTAMP:20260511T092052
CREATED:20181015T214732Z
LAST-MODIFIED:20181016T164607Z
UID:6977-1540909800-1540918800@printcenter.org
SUMMARY:Open Door at the Arthur Ross Gallery & the Penn Museum
DESCRIPTION:Open Door offers unique behind-the-scenes tours at Philadelphia’s most intriguing cultural sites. \nJoin us for two special tours at the University of Pennsylvania. We will start at the Arthur Ross Gallery to see William Kentridge: Universal Archive\, a series of 79 linocuts printed onto pages from dictionaries and encyclopedias. \nFollowing\, we will tour the new Middle East Galleries at the Penn Museum. The collection features objects from 10\,000 years of human history and are the first in a series of transformative gallery renovations taking place at the Penn Museum over the next several years. \nThis is a free event\, however\, space is limited and RSVP is required. RSVP to Mikaela Hawk at mhawk@printcenter.org. \n \nWilliam Kentridge\, Universal Archive (Six Birds)\, 2012\, linocut printed on page from the Shorter Oxford English Dictionary. Courtesy David Krut Projects\, Johannesburg/New York\n\nMiddle East Galleries\, Courtesy of the Penn Museum\n\n 
URL:https://printcenter.org/100/event/open-door-at-the-arthur-ross-gallery-the-penn-museum/
LOCATION:PA
CATEGORIES:open door
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181107T180000
DTEND;TZID=America/New_York:20181107T193000
DTSTAMP:20260511T092052
CREATED:20181016T202934Z
LAST-MODIFIED:20181016T202934Z
UID:7006-1541613600-1541619000@printcenter.org
SUMMARY:Artist Lecture & BYO Social
DESCRIPTION:Lauren Pakradooni & Second State Press \n \nIn conjunction with the exhibition Lauren Pakradooni: Static Slip\, we welcome Pakradooni to discuss her work and process. Immediately following her talk\, we will be enjoy casual conversation with members of Philadelphia’s community print shop Second State Press. \nPakradooni is an artist and educator based in Philadelphia. She earned a BA from Hampshire College\, Amherst\, MA in 2007 and an MFA in Printmaking from the Rhode Island School of Design\, Providence in 2011. Pakradooni is Visiting Assistant Professor of Art at Ursinus College\, Collegeville\, PA. Her artwork has been exhibited in a variety of U.S. venues including Leisure\, Denver; Planthouse Gallery\, New York; Vox Populi\, Philadelphia; and in Amsterdam\, Netherlands; Antwerp\, Belgium; and Doha\, Qatar. She has been awarded fellowships and residencies at the University of Texas\, Austin; AS220\, Providence\, RI; Wassaic Project\, Wassaic\, NY; and internationally at Beisinghoff Printmaking Residency\, Diemelstadt-Rhoden\, Germany and Virginia Commonwealth University School of the Arts\, Doha. She records and performs experimental electronic music\, layering and manipulating handmade cassette tape loops into compositions\, under the moniker Tether. \nSecond State Press’ mission is to foster the development of ideas and innovation in printmaking by providing artists with a professional\, affordable and supportive workspace. Join us\, founders Jenn McTague and Zach Lindenberger and Board member Lauren Pakradooni for a drink\, to learn more about Second State and to see some of the excellent work produced there. \nBYO Socials bring artists and art appreciators together for casual conversation and the chance to see new artwork.
URL:https://printcenter.org/100/event/artist-lecture-byo-social/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190117T173000
DTEND;TZID=America/New_York:20190117T193000
DTSTAMP:20260511T092052
CREATED:20190116T201147Z
LAST-MODIFIED:20190116T214926Z
UID:7542-1547746200-1547753400@printcenter.org
SUMMARY:93rd ANNUAL Solo Exhibitions\, Talks and Reception
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \nRafael Soldi: CARGAMONTÓN \nJason Urban & Leslie Mutchler: Long Lost Friend \nChinn Wang: Soaking Up Local Color \nThursday\, January 17\, 2019\nGallery Talk with the Artists: 5:30pm\nOpening Reception: 6:00 – 7:30pm \nNew work by Rafael Soldi (Seattle\, WA)\, Jason Urban & Leslie Mutchler (Brooklyn\, NY) and Chinn Wang (Boulder\, CO) who were selected by jurors Jose Diaz\, Chief Curator\, Andy Warhol Museum and Lisa Sutcliffe\, Herzfeld Curator of Photography and Media Arts\, Milwaukee Art Museum. While each exhibition has its own focus\, all three explore the mediation of the printed image through process and context. \nExhibition page \nThe Print Center Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/93rd-annual-solo-exhibitions-talks-and-reception/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
CATEGORIES:exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190123T180000
DTEND;TZID=America/New_York:20190123T193000
DTSTAMP:20260511T092052
CREATED:20190116T202742Z
LAST-MODIFIED:20190122T194606Z
UID:7548-1548266400-1548271800@printcenter.org
SUMMARY:Artist Lecture with Rafael Soldi
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n93rd ANNUAL RELATED PROGRAM \nArtist Lecture with Rafael Soldi\nWednesday\, January 23\, 6:00pm \nDon’t miss the opportunity to hear Soldi talk about his practice and career when he joins us from Seattle! \nPresented in partnership with The University of the Arts Photography Program. \nExhibition page \nImage: Rafael Soldi\, Imagined Futures (detail)\, 2018 \nThe Print Center Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/7548/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190130T180000
DTEND;TZID=America/New_York:20190130T193000
DTSTAMP:20260511T092052
CREATED:20190116T225910Z
LAST-MODIFIED:20190129T223043Z
UID:7581-1548871200-1548876600@printcenter.org
SUMMARY:BOOK LAUNCH: Gregory Eddi Jones\, Flowers for donald and Countries Glorious
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nJOIN US FOR A BOOK LAUNCH + ARTIST TALK  \nGregory Eddi Jones \nFlowers for donald and Countries Glorious \nWednesday\, January 30\, 6:00pm  \nJoin Philadelphia author and photographer Gregory Eddi Jones to celebrate the release of his new artist book Flowers for donald and Countries Glorious in an edition of 150\, printed by Conveyor Studios\, NJ\, 2018\, 70 pages\, 32 plates. \nJones will give an artist talk and read form the poem “Countries Glorious”. Flowers for donald and Countries Glorious\, $35 will be available for purchase and signing following the talk. \nGregory Eddi Jones (b. 1986\, Syracuse) is an American artist\, writer and publisher who lives and works in Philadelphia. He earned a BFA from Rochester Institute of Technology in 2010 and an MFA from the Visual Studies Workshop\, Rochester\, in 2016. He is the founding editor of In the In-Between: Journal of New and New Media Photography\, an independent publishing platform that highlights and supports noteworthy\, forward-thinking 21st century photographic authors and authorship. \n“Perhaps Flowers for donald beckons us to look a little closer. What is the role of art when the world around us is absolutely turbulent? What is reflected back at us when we make art under conditions of unignorable political circumstances? Flowers for donald utilizes a classic art motif to start to unpack these questions.”\n– Digital America \nThe Print Center Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/book-launch-gregory-eddi-jones-flowers-for-donald-and-countries-glorious/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190206T180000
DTEND;TZID=America/New_York:20190206T193000
DTSTAMP:20260511T092052
CREATED:20190116T210404Z
LAST-MODIFIED:20190205T164650Z
UID:7553-1549476000-1549481400@printcenter.org
SUMMARY:Chinn Wang in Conversation with Katie Garth: Women\, Labor and the Arts
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n93rd ANNUAL Related Program \nChinn Wang in Conversation with Katie Garth: Women\, Labor and the Arts\nWednesday\, February 6\, 6:00pm at The Print Center\n \nJoin us for a conversation between Chinn Wang and Katie Garth\, MFA candidate in Printmaking at Tyler School of Art\, Temple University. The pair\, who met years ago when Garth was an undergraduate student in Wang’s screenprinting class\, will discuss the role mentorship in arts education has for women; perspectives on labor in contemporary studio practice; and notions of artistic identity. \nPresented with the support of Tyler School of Arts Printmaking Program. \n  \nChinn Wang Artist Lecture\nThursday\, February 7\, 6:00pm at Tyler School of Art\, Room B004\nChinn Wang talks about Soaking Up Local Color\, and her creation of a visual narrative to piece together a cohesive family history. \nSupported by the Dean’s Interdisciplinary GAF Fund\, the Foundations Department and the Printmaking Program. \n  \nImage: Chinn Wang\, The Hermit & The Magician\, 2018 \nExhibition page \nThe Print Center Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/conversation-with-chinn-wang/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190227T173000
DTEND;TZID=America/New_York:20190227T193000
DTSTAMP:20260511T092052
CREATED:20190215T201311Z
LAST-MODIFIED:20190221T180806Z
UID:7823-1551288600-1551295800@printcenter.org
SUMMARY:Open House
DESCRIPTION:Open House: Meet Ksenia Nouril\, Our New Jensen Bryan Curator \nWednesday\, February 27\, 5:30 – 7:30pm \nJoin us to give a warm welcome to our new Jensen Bryan Curator Ksenia Nouril\, and for a casual conversation between Ksenia Nouril and Patricia C. Phillips\, Chief Academic Officer/Academic Dean at Moore College of Art & Design. The pair will talk about their past projects and the cultural landscape in Philadelphia as well as ideas for future programs and developing new audiences. \nConversation at 6:00pm\, followed by refreshments \n\n \nKsenia Nouril received her PhD in Art History from Rutgers\, The State University of New Jersey\, New Brunswick in 2018. Her dissertation examined the role of history in contemporary art through the work of Olga Chernysheva\, Deimantas Narkevičius\, Paulina Ołowska and Ilya and Emilia Kabakov. She graduated summa cum laude from New York University with a BA in Art History and Russian & Slavic Studies. Nouril has organized collection and loan exhibitions for institutions including the Bruce Museum\, Greenwich; Zimmerli Art Museum\, New Brunswick; Lower East Side Printshop\, NY; and The Museum of Modern Art (MoMA)\, NY. \n  \nBefore joining the staff at The Print Center\, Nouril was part of a team at MoMA dedicated to researching\, cataloging and interpreting modernist photographic history through the Thomas Walther Collection. She co-organized the 2015 exhibition Production-Reproduction: The Circulation of Photographic Modernism\, 1900-1950. From 2015 to 2017\, Nouril was a Contemporary and Modern Art Perspectives (C-MAP) Fellow at MoMA. She is a co-editor of and contributor to Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology\, 2018 (MoMA/Duke University Press) and has published in exhibition catalogs and magazines\, including ARTMargins Online\, The Calvert Journal and OSMOS. \n  \nPatricia C. Phillips is a writer and curator who focuses on public art\, civic space\, landscape\, the environment – and the intersection of these areas. She is author of Mierle Laderman Ukeles: Maintenance Art\, 2016 (Prestel\, New York); Ursula von Rydingsvard: Working\, 2011 (Prestel); It is Difficult\, a survey of the work of Alfredo Jaar\, 1988 (Actar Press\, Barcelona); and editor of City Speculations\, 1996 (Princeton Architectural Press\, New York). From 2002 to 2007\, she was Editor-in-Chief of Art Journal. Recent work includes the lead essay for habitus: ann hamilton\, 2017 (Delmonico Books-Prestel\, New York with The Fabric Workshop and Museum\, Philadelphia); and editor of Public Art: Critical and Primary Sources: 1960-2017\, 2020 (Bloomsbury Publishing\, London). \n      \nPhillips was co-curator\, with Larissa Harris of the Queens Museum\, of Mierle Laderman Ukeles: Maintenance Art\, Queens Museum\, Corona\, NY\, 2016-17. Curatorial projects include Making Sense: Five Installations on Sensation\, Katonah Museum of Art\, NY\, 1996; City Speculations\, Queens Museum\, 1995-96; The POP Project\, Institute for Contemporary Art/Boston and MoMA PS1\, New York\, 1988; and Disney Animators and Animation\, Whitney Museum of Art\, NY\, 1981. She has held academic positions at Parsons School of Design/New School for Social Research; State University of New York at New Paltz; Cornell University\, Ithaca\, NY; and Rhode Island School of Design\, Providence. \n  \nThe Print Center Exhibitions\, Programs and Events are free and open to the public. \n  \nKsenia Nouril\, Photo: Matt Rencher \n  \nFree
URL:https://printcenter.org/100/event/open-house/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190307T180000
DTEND;TZID=America/New_York:20190310T180000
DTSTAMP:20260511T092052
CREATED:20190211T162659Z
LAST-MODIFIED:20190311T163344Z
UID:7771-1551981600-1552240800@printcenter.org
SUMMARY:2019 ART ON PAPER
DESCRIPTION:  \n  \n  \n  \n  \nART ON PAPER – 299 South Street – Pier 36\, Downtown Manhattan\n \nThe Print Center is thrilled to participate in the 2019 Art on Paper fair in New York City! \nWe will present a selection of important works at one of the world’s most vibrant international art fairs. Join us in New York for this outstanding event. \n   \nThank you for visiting our booth at Art on Paper.\nTo see the works that we brought to the fair\, click the following link.  \nVIEW ALL WORKS HERE\nTickets are no longer available.\nVIP Preview: Thursday\, March 7\, 6:00 to 10:00pm \nFair Hours:\nFriday\, March 8\, 11:00am to 7:00pm\nSaturday\, March 9\, 11:00am to 7:00pm\nSunday\, March 10\, 12:00 to 6:00pm \nWebsite \nTickets are no longer available. Click here to purchase tickets to the VIP Preview and/or to the Fair | We have a limited number of complimentary VIP passes. Visit The Print Center or call Mikaela Hawk (in office Friday and Saturday until 6pm) at 215.735.6090 x1 to reserve. \n \n \n \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nImages: \nPaula Riff\, Ginkgo’s Folly\, 2018\, Cyanotype and gum bichromate\, 13” x 19”\, Unique\, \nArt Spiegelman\, Lead Pipe Sunday\, 1989\, Two sided Lithograph \, 22″ x 30″\, Edition of 100\, Published by The Print Center \nVera Lutter\, 30th Street Station\, Philadelphia\, I: April 13\, 2006\, 2006\, Unique gelatin silver print\, 32 9/16″ x 38 7/8″\, Commissioned by The Print Center \nRobert Cumming\, Burning Box\, 1989\, Traditional Japanese woodcut\, Published by The Print Center \n  \nVIEW ALL WORKS HERE
URL:https://printcenter.org/100/event/2019-art-on-paper/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190323T100000
DTEND;TZID=America/New_York:20190323T130000
DTSTAMP:20260511T092052
CREATED:20190219T175332Z
LAST-MODIFIED:20190322T212909Z
UID:7849-1553335200-1553346000@printcenter.org
SUMMARY:Atlas Obscura Cyanotype Workshop at The Print Center
DESCRIPTION:Atlas Obscura’s a World of Blue: Cyanotypes and Early Photography \nSaturday\, March 23\, 2019 at The Print Center \n  \nImage: Irina Glik\, Philadelphia Zoo Air Balloon\, 2017\, Cyanotype \n 
URL:https://printcenter.org/100/event/hands-on-cyantotype-workshop/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190327T180000
DTEND;TZID=America/New_York:20190327T193000
DTSTAMP:20260511T092052
CREATED:20190121T181233Z
LAST-MODIFIED:20190314T222407Z
UID:7620-1553709600-1553715000@printcenter.org
SUMMARY:Artist Talk with Jason Urban & Leslie Mutchler: Anti-Disciplinary Print
DESCRIPTION:93rd ANNUAL Related Program \nThe collaborative team of Jason Urban and Leslie Mutchler (JULM Studios) will discuss their research-intensive projects which examine the printed form in an expanded field. \n  \nImage: Jason Urban & Leslie Mutchler\, Long Lost Friend (detail)\, 2018 \nExhibition page \nThe Print Center Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/conversation-with-jason-urban-leslie-mutchler/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190418T173000
DTEND;TZID=America/New_York:20190418T193000
DTSTAMP:20260511T092052
CREATED:20190410T204630Z
LAST-MODIFIED:20190411T180005Z
UID:8381-1555608600-1555615800@printcenter.org
SUMMARY:James Siena: Guided Gallery Talk + Opening Reception
DESCRIPTION:James Siena will lead a walkthrough of the exhibition James Siena: Resonance Under Pressure at 5:30pm \nOpening Reception 6:00 – 7:30pm \n  \n  \n  \n  \nImage: James Siena\, Parentheses\, Tesselating\, 2018\, lithograph\, edition of 20. Courtesy of the Artist and The University of the Arts\, MFA Book Arts + Printmaking Program \nExhibition page
URL:https://printcenter.org/100/event/james-siena-guided-gallery-talk-opening-reception/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
CATEGORIES:exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190419T110000
DTEND;TZID=America/New_York:20190727T180000
DTSTAMP:20260511T092052
CREATED:20190410T194652Z
LAST-MODIFIED:20190411T175622Z
UID:8362-1555671600-1564250400@printcenter.org
SUMMARY:Create Your Own Typewriter Print
DESCRIPTION:Ongoing during the exhibition \n  \nThe Print Center will host a “Public Typewriter” as part of Philly Typewriter’s “Philadelphia Public Typewriter Program”. Philly Typewriter is a retail store located in Philadelphia that also repairs typewriters and hosts classes and events. A temporary loan of a manual typewriter prepared for use by restoration classes at Philly Typewriter will allow visitors to the exhibition New Typographics: Typewriter Art as Print to make their own typewriter prints. \n  \nHours: 11:00 AM – 6:00 PM ♦ Tuesday – Saturday (unless otherwise noted on our website) \nExhibition page
URL:https://printcenter.org/100/event/create-your-own-typewriter-print/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190424T180000
DTEND;TZID=America/New_York:20190424T193000
DTSTAMP:20260511T092052
CREATED:20190410T201306Z
LAST-MODIFIED:20190411T175644Z
UID:8369-1556128800-1556134200@printcenter.org
SUMMARY:The Printer’s Perspective: Gail Deery and Alex Kirillov on James Siena
DESCRIPTION:Gail Deery\, Professor of Printmaking\, Papermaking and Book Arts and Co-Director of Dolphin Press & Print at MICA\, and Alex Kirillov\, Senior Lecturer\, MFA Book Arts + Printmaking and Studio Art at The University of the Arts\, both worked with Siena when he printed at their respective institutions. Deery and Kirillov will give a tour of the exhibition James Siena: Resonance Under Pressure from the printer’s perspective\, walking through the various processes used by Siena and their students during his artist-residencies in 2018. \n  \n  \n  \n  \n  \nLeft: James Siena\, Parentheses\, Tesselating\, 2018\, lithograph\, edition of 20. Courtesy of the Artist and The University of the Arts\, MFA Book Arts + Printmaking Program \nRight: James Siena\, Seven Radiating Lobes\, Wandering\, 2018\, etching and relief\, 15” x 11 ¾”\, edition of 20. Courtesy of the Artist and The University of the Arts\, MFA Book Arts + Printmaking Program \nExhibition page
URL:https://printcenter.org/100/event/the-printers-perspective-gail-deery-and-alex-kirillov-on-james-siena/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190502T180000
DTEND;TZID=America/New_York:20190502T193000
DTSTAMP:20260511T092052
CREATED:20190410T202026Z
LAST-MODIFIED:20190411T175709Z
UID:8374-1556820000-1556825400@printcenter.org
SUMMARY:Curator’s Talk
DESCRIPTION:  \nKsenia Nouril\, Jensen Bryan Curator\, will give a talk on the history of typewriter prints\, highlighting key moments and artists that were influential to her thinking around the exhibition New Typographics: Typewriter Art as Print. \n  \n  \n  \nImage: Lenka Clayton\, Early Annie Albers 07/04/2017 from the series “Typewriter Drawings”\, 2017\, typewriter paper and ink\, rendered with a portable 1957 Smith-Corona Skyriter typewriter\, 11” x 8 ½”. Courtesy of the Artist and Catharine Clark Gallery\, San Francisco \nExhibition page
URL:https://printcenter.org/100/event/curators-talk/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190521T060000
DTEND;TZID=America/New_York:20190521T193000
DTSTAMP:20260511T092052
CREATED:20190509T205338Z
LAST-MODIFIED:20190509T205338Z
UID:8612-1558418400-1558467000@printcenter.org
SUMMARY:BOOK LAUNCH & PANEL DISCUSSION | Marie Tomanova: Young American
DESCRIPTION:  \nBOOK LAUNCH & PANEL DISCUSSION\nMarie Tomanova: Young American \n  \nTuesday\, May 21. 2019 \n6:00pm Panel Discussion \n6:45pm Book Signing \n  \n  \nThe Print Center is pleased to host the Philadelphia launch for an exciting new book\, Marie Tomanova: Young American\, which has already received international attention. Tomanova will be joined in conversation by the book’s author Thomas Beachdel and Ksenia Nouril\, our Jensen Bryan Curator. They will discuss the impetus for and execution of the project\, as well as reflect on its meaning in our current political climate. \n  \n“Marie Tomanova’s debut monograph Young American celebrates an idea of an ‘America’ still rife with dreams and possibilities\, hope and freedom. As a Czech immigrant struggling in a new environment to belong\, to come to terms with her repressive past and her uncertain future\, the portraits taken between 2015 and 2018 in New York City visualize an America in which individuality is valued as uniqueness and not judged as a lack of sameness.” \n– Thomas Beachdel\, Art Historian\, City University of New York\, Hostos \n  \nMarie Tomanova (b. 1984\, Czechoslovakia) received a BFA from Masaryk University\, 2007 and an MFA from University of Technology\, Czech Republic\, 2010. She immigrated to the U.S. in 2011. Her work addresses displacement\, identity\, inclusivity\, gender and sexuality through photography and video. She has exhibited at A.I.R. Gallery\, Czech Center New York\, Museum of Sex\, Untitled Space\, all New York; Orange County Center for Contemporary Art\, Santa Ana\, CA; Ars Gallery\, Prague; and Museum of Modern Art\, Tbilisi\, Georgia. Her work has been featured in publications\, including Artforum\, Calvert Journal\, Dazed\, Der Spiegel\, Forbes\, i-D\, Interview\, Paper\, Purple\, Sleek\, VICE and W Magazine. \n  \nMarie Tomanova: Young American\, 2019\, introduction by Ryan McGinley with an essay by Thomas Beachdel. The 10 ½” x 9″\, 144 page\, softcover volume is published in an edition of 350 by Paradigm. The book will be available for purchase for $40. \n  \nFree and open to the public
URL:https://printcenter.org/100/event/book-launch-panel-discussion-marie-tomanova-young-american/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190612T180000
DTEND;TZID=America/New_York:20190612T210000
DTSTAMP:20260511T092052
CREATED:20190411T175112Z
LAST-MODIFIED:20190603T175346Z
UID:8431-1560362400-1560373200@printcenter.org
SUMMARY:Dinner Date with James Siena
DESCRIPTION:  \nJoin us to celebrate the extraordinary artist James Siena for a spectacular evening at the architecturally marvelous residence of Ligia Ravé Slovic! Each spring\, we honor an artist or a significant member of the art community at our Dinner Date event. Dinner Date is The Print Center’s spring fundraiser.\n \n  \nWednesday\, June 12\, 2019 \n6pm  \nChampagne tour of Resonance Under Pressure with James Siena. \n7pm  \nElegant dinner at the architecturally marvelous Center City home of Ligia Ravé Slovic\, designed by the architect and artist David Slovic and filled with a spectacular collection of contemporary art. \n  \n  \n  \nGuests at the Benefactor and Visionary Levels will receive a print created especially for our patrons by James Siena\, published by Harlan & Weaver\, New York. \nJames Siena\, Coffered Rectangle\, 1995-2019\, Engraving\, Image 5 ¾” x 3 ⅞” on sheet 13 ⅛” x 10 ⅞”\, Edition of 25\, Printed and Published by Harlan & Weaver\, NY \n  \nTickets from $100 – $1\,800. For subscription levels and tickets click here. \n  \nFormer Honorees\nJesse Burke\nDr. Jan Gordon\nJane Irish\nSarah McEneaney\nMatt Neff\nLydia Panas\nSerena Perrone\nBill Scott\nEmma Wilcox\nWilliam Earle Williams \nDinner Date Committee\nJulie Jensen Bryan + Robert Bryan*\nDiane Burko + Richard Ryan\nRalph Citino + Lawrence Taylor\nJoan Wadleigh Curran*\nGail Deery\nAvi Eden*\nOfelia Garcia*\nEileen Kennedy + Robert Heim*\nBrett Littman\nFrancesco Longenecker\nDonald W. McPhail*\nRobert Morrison (deceased)*\nBarbara Schaff*\nMichael Shannon*\nDrs. Marsha + Stephen Silberstein*\nAnna + Menno Tas*\nCarol Weaver + Felix Harlan\nJohn Wind* \n* Former Host \nJames Siena (b. 1957\, Oceanside\, CA) is a New York-based artist who is well-known for his labyrinthine and often colorful prints\, paintings\, drawings and sculptures. He holds a BFA from Cornell University\, Ithaca. Siena has had numerous solo exhibitions\, including at the Herbert F. Johnson Museum of Art\, Cornell University; Dieu Donné\, The Museum of Modern Art and Pace Gallery\, all New York; and Greg Kucera Gallery\, Seattle. His work has been in group exhibitions at venues\, such as the Museum of Fine Arts\, Houston; Milwaukee Art Museum; American Academy of Arts and Letters\, The Drawing Center and The Morgan Library and Museum\, all New York; Locks Gallery\, Philadelphia; and Delaware Art Museum\, Wilmington as well as in Beijing\, Dublin and Montréal. His work is in prestigious collections\, including the Museum of Fine Arts\, Boston; The Metropolitan Museum of Art\, The Museum of Modern Art and Whitney Museum of American Art\, all New York; and San Francisco Museum of Modern Art. Siena teaches at the School of Visual Arts in New York and is a member of the Corporation of Yaddo as well as the National Academy of Design. He is represented by Pace Gallery\, New York. \nView the full invitation here.
URL:https://printcenter.org/100/event/save-the-date-dinner-date-with-james-siena/
LOCATION:PA
CATEGORIES:fundraiser
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190626T180000
DTEND;TZID=America/New_York:20190626T193000
DTSTAMP:20260511T092052
CREATED:20190607T202347Z
LAST-MODIFIED:20190709T161542Z
UID:8748-1561572000-1561577400@printcenter.org
SUMMARY:Queering the Archives: Saving and Sharing LGBTQ+ Histories
DESCRIPTION:In honor of Stonewall at 50\, The Print Center convenes a forum with artists and archivists committed to the preservation and presentation of LGBTQ+ histories. Panelists will share recent work\, reflect on the legacies of Stonewall and address pressing issues regarding archives and the queer experience. \n    \nParticipants Include: \nJohn Anderies\, Director of the John J. Wilcox\, Jr. Archives at the William Way LGBT Community Center in Philadelphia\, one of the country’s largest LGBT archives. He has also worked as an archivist at the Kislak Center for Special Collections\, Rare Books\, and Manuscripts at the University of Pennsylvania\, and as Head of Special Collections at Haverford College. \nAmy Cousins holds a BFA in Printmaking from the Maryland Institute College of Art and an MFA in Printmaking from the Tyler School of Art. Her work has been exhibited nationally at venues including Visual Arts Center at Boise State University; IS Projects\, Fort Lauderdale; Moore College of Art and Vox Populi\, both Philadelphia; Peephole Cinema\, San Francisco; and Washington Printmaker’s Gallery\, Silver Springs. In 2016\, Cousins won the Curator’s Choice Award for Beyond the Norm: An International Juried Print Exhibition\, which was organized by Normal Editions Workshop to celebrate their 40th anniversary and hosted by University Galleries at Illinois State\, where she exhibited a solo show in 2017. \nMichael J. Carroll works on digital projects in the Metadata and Digitization Services department of Temple University Libraries. He is a master’s candidate at the Tyler School of Art in modern and contemporary art history. His research is focused on queer artworks that utilize archival records. \nGabriel Martinez has taught at the University of Pennsylvania for 19 years. His work has been exhibited at the Institute of Contemporary Art\, Philadelphia and Philadelphia Museum of Art\, and at Exit Art\, White Columns and Franklin Furnace\, NY. Martinez received a Pew Fellowship in the Arts in 2001 and a Joan Mitchell Foundation Fellowship in 2003. His exhibition Bayside Revisited was the centerpiece of The Print Center’s Centennial celebration. He currently has two exhibitions on view at William Way LGBT Community Center: Tonight is Forever\, through June 28 and Archives: LGBTQ Legacies: Art\, Archives\, Analysis\, through August 30\, 2019. \nMartinez is a Cuban-American native of Miami\, Florida\, who works largely with photography\, performance and installation. He attended the Skowhegan School of Sculpture and Painting\, received a BFA from the University of Florida and an MFA from the Tyler School of Art\, Temple University. Martinez has participated in residencies and artist-in-residence programs including: The Rosenbach Museum and Library\, The Fabric Workshop and Museum\, both in Philadelphia; Atlantic Center for the Arts\, Florida; Arcadia Summer Arts Program\, Maine; MacDowell Colony\, New Hampshire; and Yaddo\, New York. Martinez’s work is represented by Samson Projects\, Boston. \n  \nPRESS \n“Archiving Tomorrow’s History\,” The Philadelphia Gay News\, Gary L. Day\, July 3\, 2019  pdf  \n  \nImage: Gabriel Martinez\, Tonight is Forever\, 2019\, Installation view\, William Way LGBT Community Center. Photo: Eric Sucar\, University of Pennsylvania
URL:https://printcenter.org/100/event/queering-the-archives-saving-and-sharing-lgbtq-histories/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190630T140000
DTEND;TZID=America/New_York:20190630T160000
DTSTAMP:20260511T092052
CREATED:20190618T203441Z
LAST-MODIFIED:20190627T220338Z
UID:8783-1561903200-1561910400@printcenter.org
SUMMARY:Celebrating Robert J. Morrison
DESCRIPTION:The Print Center and the Pennsylvania Academy of the Fine Arts invite\nfamily and friends of Bob Morrison to celebrate his life: \nSunday\, June 30\, 2019\, 2 – 4pm\nPennsylvania Academy of the Fine Arts\n118-128 North Broad Street\, Philadelphia\, PA\, 19102\nSamuel M.V. Hamilton Building\nRhoden Arts Center \nObituary \nThe Print Center has established The Robert J. Morrison Fund to continue his legacy of support for prints\, artist books and mentoring collectors.\nDonations can be made online; mailed to The Print Center at 1614 Latimer Street\, Philadelphia\, PA 19103; or by phone at 215.735.6090 x1. \nAll donations to The Print Center are 100% tax deductible. \n  \nThe Print Center is a federal tax-exempt 501(c)3 organization and is registered as a charitable organization with the Pennsylvania Department of State’s Bureau of Charitable Organizations. \n 
URL:https://printcenter.org/100/event/celebrating-robert-j-morrison/
LOCATION:Pennsylvania Academy of the Fine Arts\, 118 North Broad Street\, Philadelphia\, PA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190822T060000
DTEND;TZID=America/New_York:20190822T193000
DTSTAMP:20260511T092052
CREATED:20190730T170621Z
LAST-MODIFIED:20190730T170621Z
UID:8955-1566453600-1566502200@printcenter.org
SUMMARY:ARTIST TALK + BYO SOCIAL
DESCRIPTION:  \nIn conjunction with the Gallery Store Feature Exhibition Saleem Ahmed: Land of Kings\, we welcome Ahmed to discuss his work\, family and culture. After the talk\, join us for a drink and a casual conversation with the artist. \nBYO Socials bring artists and art appreciators together for informal conversation and the chance to see new artwork. \n  \n  \nImage: Saleem Ahmed (left) and friends at The Print Center \nAll of The Print Center’s Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/artist-talk-byo-social/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190912T173000
DTEND;TZID=America/New_York:20190912T193000
DTSTAMP:20260511T092052
CREATED:20190730T172001Z
LAST-MODIFIED:20190912T154001Z
UID:8963-1568309400-1568316600@printcenter.org
SUMMARY:Gallery Talk with the Artists and Curator + Opening Reception
DESCRIPTION:  \n  \nGallery Talk: 5:30pm \nReception: 6:00 – 7:30pm \nKsenia Nouril will guide a walkthrough of the exhibitions with contributions from artists. \nAll of The Print Center’s Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/gallery-talks-reception/
LOCATION:PA
CATEGORIES:exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T180000
DTEND;TZID=America/New_York:20191002T193000
DTSTAMP:20260511T092052
CREATED:20190910T170833Z
LAST-MODIFIED:20190912T154235Z
UID:9059-1570039200-1570044600@printcenter.org
SUMMARY:Gallery Talk & Book Launch | Keith Carter
DESCRIPTION:Keith Carter\, Deliberately Insulting\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\n  \n \n  \nKeith Carter leads a walkthrough of the exhibition Keith Carter: Seek & Find followed by a signing of his newest book Keith Carter: Fifty Years (University of Texas Press\, 2018). \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n  \n  \n  \n  \n 
URL:https://printcenter.org/100/event/gallery-talk-book-launch/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T193000
DTEND;TZID=America/New_York:20191002T213000
DTSTAMP:20260511T092052
CREATED:20190911T181455Z
LAST-MODIFIED:20190912T154354Z
UID:9145-1570044600-1570051800@printcenter.org
SUMMARY:Intimate Dinner With Keith Carter
DESCRIPTION:Keith Carter\, Tea Stain\, 2018. Courtesy of the Artist\n \n  \nHosted by Crystal Gurin in her South Philadelphia home.\nFollowing Carter’s Gallery Talk and Book Signing at The Print Center. \nPurchase your Ticket today! \n$75   Dinner with Keith Carter\n$125   Dinner PLUS a Signed Copy of Keith Carter Fifty Years \nor\, call Mikaela Hawk at 215.735.6090 x1 to RSVP \nExhibition | Keith Carter: Seek & Find \n 
URL:https://printcenter.org/100/event/intimate-dinner-with-keith-carter/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191003T180000
DTEND;TZID=America/New_York:20191003T193000
DTSTAMP:20260511T092052
CREATED:20190910T201303Z
LAST-MODIFIED:20190912T154415Z
UID:9104-1570125600-1570131000@printcenter.org
SUMMARY:Lecture by Keith Carter\, at the University of Pennsylvania
DESCRIPTION:Keith Carter\, Letters and Arts\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\n  \nUniversity of Pennsylvania\nKislak Center\, Van Pelt-Dietrich Library Center\n3420 Walnut Street\, Philadelphia\, PA 19104 \nThursday\, October 3\, 6:00pm \nKeith Carter speaks about his career with a focus on his most recent series “Walt Whitman: ‘Beautiful Imperfect Things’”. \nExhibition | Keith Carter; Seek & Find \n 
URL:https://printcenter.org/100/event/lecture-by-keith-carter-at-the-university-of-pennsylvania/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191010T130000
DTEND;TZID=America/New_York:20191010T143000
DTSTAMP:20260511T092052
CREATED:20190910T202349Z
LAST-MODIFIED:20191004T175006Z
UID:9110-1570712400-1570717800@printcenter.org
SUMMARY:Artist Lecture by Bethany Collins\, at The University of the Arts
DESCRIPTION:Bethany Collins\, America: A Hymnal\, 2017\, book with 100 laser cut leaves\, 6” x 9” x 1”\, special edition of 25. Courtesy of the Artist and PATRON Gallery\, Chicago\n  \nThe University of the Arts\nGershman Hall\, Elaine C. Levitt Auditorium\n401 South Broad Street Philadelphia \nBethany Collins speaks about her career\, exploring how race and language interact in her work through drawing\, printmaking\, sculpture and performance. \nExhibition: The Politics of Rhetoric\, at The Print Center \n  \n  \nCollins is the 2019 Libby Newman Visiting Artist in Fine Arts\, Expanded Drawing+Printmaking at The University of the Arts. \n  \n  \n 
URL:https://printcenter.org/100/event/lecture-by-bethany-collins-at-the-university-of-the-arts/
LOCATION:PA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191010T180000
DTEND;TZID=America/New_York:20191010T193000
DTSTAMP:20260511T092052
CREATED:20190910T174851Z
LAST-MODIFIED:20191008T151332Z
UID:9067-1570730400-1570735800@printcenter.org
SUMMARY:A Conversation with Bethany Collins + Amber Rose Johnson
DESCRIPTION:Bethany Collins. Photo: Chris Edward\nAmber Rose Johnson. Photo: Christian Hayden\nExhibiting artist Bethany Collins joins Philadelphia-based writer and editor Amber Rose Johnson in conversation about the uses and abuses of language in art within the context of the exhibition The Politics of Rhetoric. \n  \nBethany Collins (b. 1984\, Montgomery\, AL) is a Chicago-based multidisciplinary artist who examines the relationship between race and language in her work. She earned a BA in studio art and visual journalism from the University of Alabama\, 2007 and an MFA in drawing and painting from Georgia State University\, 2012. \nCollins has had solo exhibitions at The University of Kentucky Art Museum\, Lexington; University Galleries of Illinois State University\, Normal; and Contemporary Art Museum St. Louis\, all 2019; Patron Gallery\, Chicago\, 2017 and 2018; Locust Projects\, Miami\, 2018; Center for Book Arts\, New York\, 2018; Davidson College Smith Gallery\, Davidson\, NC\, 2016; and Athens Institute of Contemporary Art\, Athens\, GA\, 2015. \nSelected group exhibitions include Museum of Contemporary Art Chicago; Smart Museum\, Chicago; Museum of Contemporary Art Detroit; and Institute for Contemporary Art at Virginia Commonwealth University\, Richmond\, all 2019; Tarble Arts Center at Eastern Illinois University\, Charleston; DePaul Art Museum\, Chicago; and the Richard M. Ross Art Museum at Ohio Wesleyan University\, Delaware\, OH\, all 2018; the Wexner Center for the Arts\, Columbus\, OH and Pennsylvania Academy of the Fine Arts\, Philadelphia\, both 2017; as well as The Studio Museum in Harlem\, New York\, 2014 and 2017. Additional selected New York group exhibitions include those at Galerie Lelong\, The Drawing Center and Wallach Art Gallery at Columbia University\, all 2016. Collins’ work has been included in exhibitions internationally at Goodman Gallery\, Johannesburg\, South Africa; and the University of Toronto Art Centre Barnicke Gallery\, both 2015. \nThe artist has received awards\, grants\, fellowships and residencies including The LeRoy Neiman and Janet Byrne Neiman Artadia Award\, 2019; Artist Fellowship Award\, Illinois Arts Council Agency\, 2019; the Efroymson Contemporary Arts Fellowship\, 2018; Jackman Goldwasser Residency and Hyde Park Art Center Residency\, 2016; Bemis Center for Contemporary Art Residency; Hudgens Prize; and Pollock-Krasner Foundation Grant\, all 2015; The Studio Museum in Harlem\, Artist-in-Residence\, 2013-2014; and the Artadia Award\, 2014\, among others. \nHer work is part of many public collections including the High Museum of Art\, Atlanta\, GA; Birmingham Museum of Art\, AL; University of Virginia\, Special Collections Library\, Charlottesville; The Art Institute of Chicago; Smart Museum of Art\, Chicago; The University of Chicago; Agnes Scott University\, Decatur\, GA; Zuckerman Museum of Art\, Kennesaw\, GA; Montgomery Museum of Fine Arts\, AL; The Studio Museum in Harlem\, New York; Illinois State University\, Special Collections Department\, Normal; Pennsylvania Academy of the Fine Arts Museum\, Philadelphia; and The Peabody Essex Museum\, Salem\, MA. \n  \nAmber Rose Johnson is a creative and critical thinker from Providence\, RI currently based in Philadelphia. In her practice\, she is invested in exploring the intersections between experimental poetics\, performance and critical theory throughout the Black Diaspora as well as how various manifestations of “poetics of relation” can move us toward new ways of thinking\, knowing and being together. She currently is pursuing a PhD in English and Africana Studies at the University of Pennsylvania and previously held a research appointment in the Women and Gender Studies Department at the University of Toronto as a Fulbright Scholar. Her editorial projects include the exhibition catalog for Colored People Time at the Institute of Contemporary Art\, Philadelphia and the exhibition catalog for Great Force at the Institute of Contemporary Art\, Richmond\, VA. Her writing has been featured in BOMB Magazine and Jacket2. Johnson is the curator of a conversation and workshop series on creative process entitled Mess + Process and is the co-coordinator of the Black Cultural Studies Collective\, both in Philadelphia. \n  \nThe Print Center is pleased to acknowledge the support of The Libby Newman Visiting Artist Lecture\, Fine Arts\, Expanded Drawing+Printmaking\, The University of the Arts. \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n 
URL:https://printcenter.org/100/event/conversation-with-bethany-collins/
LOCATION:PA
END:VEVENT
END:VCALENDAR