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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191107T180000
DTEND;TZID=America/New_York:20191107T190000
DTSTAMP:20260510T172457
CREATED:20190910T192603Z
LAST-MODIFIED:20191031T153444Z
UID:9092-1573149600-1573153200@printcenter.org
SUMMARY:Performance by María Verónica San Martín
DESCRIPTION:María Verónica San Martín\, Dignidad\, 2019\, performance featuring Paloma Estevez and the artist at The Center for Book Arts\, New York. Courtesy of the Artist. Photo: Wonwoo Lee\n  \n  \nMaría Verónica San Martín performs a 30-minute endurance-driven performance in conjunction with her installation Dignidad featuring actress Yael Barnatan and music by Felipe Valenzuela. The performance features a musical composition based on audiotapes of conversations recorded at Colonia Dignidad the infamously isolated Chilean settlement\, founded in the 1960s by Nazi agents. \nExhibition | The Politics of Rhetoric \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n  \n 
URL:https://printcenter.org/100/event/9092/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191113T180000
DTEND;TZID=America/New_York:20191113T190000
DTSTAMP:20260510T172457
CREATED:20190910T195027Z
LAST-MODIFIED:20191112T173730Z
UID:9098-1573668000-1573671600@printcenter.org
SUMMARY:Panel with Sharon Hayes\, Sarah McEneaney  and Keris Salmon
DESCRIPTION:Sharon Hayes\, Sarah McEneaney and Keris Salmon join Ksenia Nouril in conversation about their works within the context of the exhibition The Politics of Rhetoric. Topics will include approaches to history through archives and the role of the news media in their works. \n \n \n\n \n\n \n\n  \n\n  \nSharon Hayes (b. 1970\, Baltimore\, MD) is a Philadelphia-based multi-media artist\, whose work addresses the intersections of history\, art and politics through video\, performance\, photography and installation. She is Associate Professor of Fine Arts\, Weitzman School of Design\, University of Pennsylvania. \nSarah McEneaney (b. 1955\, Munich\, Germany) is a Philadelphia-based artist and community activist who is well known for creating intricately detailed and intimately autobiographical works. \nKeris Salmon (b. 1959\, New York\, NY) is a New York-based multimedia artist and award winning broadcast journalist whose work reckons with the legacies of both personal and collective histories. \n All of The Print Center’s Exhibitions and Programs are free and open to the public. \n\nImages: \nLeft: Sharon Hayes\, The Nature of the Beast\, Pussycat\, 2019. Published by the Brodsky Center at PAFA\, Philadelphia\, collaborating Master Printer: Peter Haarz. Courtesy of the Artist and the Brodsky Center at PAFA\, Philadelphia. Photo by Barbara Katus \nMiddle: Sarah McEneaney\, Untitled\, from the series “#wehavenopresident”\, 2016 – present. Courtesy of the Artist \nRight: Keris Salmon\, Dew and Damp\, from the series “We Have Made These Lands What They Are: The Architecture of Slavery\,” 2016-2017. Printed and produced by Sayre Gaydos and Peter Kruty at Peter Kruty Editions\, published by Sockeyelabs. Courtesy of the Artist and Arnika Dawkins Gallery\, Atlanta
URL:https://printcenter.org/100/event/panel-with-sharon-hayes-sarah-mceneaney-and-keris-salmon/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200116T173000
DTEND;TZID=America/New_York:20200116T193000
DTSTAMP:20260510T172457
CREATED:20200109T213350Z
LAST-MODIFIED:20200114T175118Z
UID:9464-1579195800-1579203000@printcenter.org
SUMMARY:94th ANNUAL Solo Exhibitions | Gallery Talks + Opening Reception
DESCRIPTION:Gallery Talks: 5:30pm\nOpening Reception: 6:00 – 7:30pm\n \n  \n  \n  \n  \n  \n  \n  \n  \n \n \n \nMiguel A. Aragón: Indices of Silence/Índices del silencio\nAragón’s heroic-sized prints address the war on drugs unfolding in his hometown of Ciudad Juárez\, Mexico. Using innovative print techniques\, such as cutting woodblocks and paper with an industrial-grade hand drill\, he creates gripping portraits that humanize the victims of this violence. \n \nYoung Sun Han: The Unforever Parallel\nApproaching loss from both personal and collective points of view\, Han explores his family narratives through the geopolitical history of North and South Korea in the 20th century. He traces the immigrant experience across the 38th parallel north (the border between these two countries). His photo-based installations poetically depict the places rooted in these histories. \n \nRon Tarver: An Overdue Conversation With My Father\nTarver reimagines the African American experience in the U.S. under Jim Crow\, as interpreted through the lens of his father Richard Tarver\, a photographer who captured this community in Fort Gibson\, OK during the 1940s and 50s. Looking back at his father’s archive and appropriating its imagery\, Tarver reworks them to reflect on the history of the tight-knit African American community in Fort Gibson\, re-presenting its triumphs and tribulations. \n  \nPress Release
URL:https://printcenter.org/100/event/94th-annual-solo-exhibitions-gallery-talks-opening-reception/
CATEGORIES:exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20260510T172457
CREATED:20200114T165356Z
LAST-MODIFIED:20200121T160259Z
UID:9470-1579716000-1579721400@printcenter.org
SUMMARY:The Philadelphia Flyover Flyer | Launch + Reading
DESCRIPTION:The Philadelphia Flyover Flyer (detail)\, 2019\nThe Print Center is pleased to host the launch of The Philadelphia Flyover Flyer\, one of a series of flyers complementing The Daily Gentrifier\, an artist-made broadsheet about art and real estate development in New York and Los Angeles. Flyover Flyers document events related to art and real estate in “flyover” cities between the East and West Coasts. \nEdited and published by Dushko Petrovich (artist and Director\, New Arts Journalism\, School of the Art Institute of Chicago)\, The Philadelphia Flyover Flyer was designed by Philadelphia printmaker Aaron Gemmill and printed by Marc Fischer of Temporary Services and Half Letter Press. It is a risograph print with text contributions from Jennie Shanker\, Wende Marshall\, and Gregory Laynor. Contributors will read from and discuss the creation of the flyer\, which will be available free of charge at the launch. \nOther Flyover Flyers include The Columbus Flyover Flyer\, produced in collaboration with the Beeler Gallery at Columbus College of Art and Design in 2018. Future flyers will focus on Chicago\, Detroit and Nashville. \n  \nhttps://www.facebook.com/events/470724183819572/
URL:https://printcenter.org/100/event/the-philadelphia-flyover-flyer-launch-reading/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T183000
DTEND;TZID=America/New_York:20200206T193000
DTSTAMP:20260510T172457
CREATED:20200121T152213Z
LAST-MODIFIED:20200213T233106Z
UID:9482-1581013800-1581017400@printcenter.org
SUMMARY:Artist Talk\, Young Sun Han: The Unforever Parallel
DESCRIPTION:Young Sun Han\, Passages From a Memoir: Dadaepo Beach\, Dadaepo Horizon\, and Busan Harbor\, 2019\nArtist Talk\, Young Sun Han \nThe Unforever Parallel \nApproaching loss from both personal and collective points of view\, Han explores his family narratives through the geopolitical history of North and South Korea in the 20th century. He traces the immigrant experience across the 38th parallel north (the border between these two countries). His photo-based installations poetically depict the places rooted in these histories. \nThis event is free and open to the public. \n  \n 
URL:https://printcenter.org/100/event/artist-talk-young-sun-han-the-unforever-parallel/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200220T180000
DTEND;TZID=America/New_York:20200220T193000
DTSTAMP:20260510T172457
CREATED:20200121T153335Z
LAST-MODIFIED:20200213T232749Z
UID:9488-1582221600-1582227000@printcenter.org
SUMMARY:Artist Talk\, Ron Tarver: An Overdue Conversation With My Father
DESCRIPTION:Ron Tarver\, Hello Darling\, 2017\nArtist Ron Tarver will be joined by Ksenia Nouril\, our Jensen Bryan Curator\, to discuss Ron’s exhibition An Overdue Conversation With My Father\, now on view as part of the 94th ANNUAL Solo Shows. Tarver reimagines the African American experience in the U.S. under Jim Crow\, interpreted through the lens of his father Richard Tarver\, a photographer who captured this community in Fort Gibson\, OK during the 1940s and 50s. Looking back at his father’s archive and appropriating its imagery\, Tarver reworked them to reflect on the history of the tight-knit African American community in Fort Gibson\, re-presenting its triumphs and tribulations. \nThis event is free and open to the public. \n  \n 
URL:https://printcenter.org/100/event/artist-talk-ron-tarver-an-overdue-conversation-with-my-father/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200304T180000
DTEND;TZID=America/New_York:20200304T193000
DTSTAMP:20260510T172457
CREATED:20200121T155418Z
LAST-MODIFIED:20200304T224455Z
UID:9498-1583344800-1583350200@printcenter.org
SUMMARY:Book Launch\, Ken Lum\, Everything is Relevant: Writings on Art and Life\, 1991-2018
DESCRIPTION:Join us to celebrate Ken Lum‘s latest book: Everything is Relevant: Writings on Art and Life\, 1991-2018. Lum is the Marilyn Jordan Taylor Presidential Professor and Chair\, Department of Fine Arts\, University of Pennsylvania Stuart Weitzman School of Design. His exceptional career includes participation in Documenta 11 and the Gwangju\, Istanbul\, Moscow\, São Paulo and Whitney Biennials. He is the co-founder and Chief Curatorial Advisor for Monument Lab. His public artworks are installed in St. Louis\, MO as well as in Vienna\, Austria; Toronto and Vancouver\, Canada; Leiden\, Rotterdam and Utrecht\, The Netherlands; and Zuoz\, Switzerland. He has received Guggenheim and Pew Fellowships\, and has co-curated exhibitions for the 7th Sharjah Biennial and Monument Lab. \nThe book addresses Lum’s career; critical histories of modern\, postmodern and contemporary art; and debates around issues such as race\, class and monumentality. Penetrating\, insightful and often moving\, Lum’s writings are essential for understanding his prescient and internationally recognized practice. \nLum will be joined in conversation by art historian Alexander Alberro\, (Virginia Bloedel Wright ’51 Professor of Modern and Contemporary Art History at Barnard College and Columbia University\, New York) and will sign books\, which will be available for purchase. \nThe book includes an introduction by Kitty Scott\, Deputy Director and Chief Curator of the National Gallery of Canada and co-curator of Lum’s 2002 retrospective. Ken Lum\, Everything is Relevant: Writings on Art and Life\, 1991-2018\, (2020)\, 7 1/2″ x 11″\, published by Concordia University Press\, 320 pages\, 12 color illustrations\, 48 black & white illustrations\, $65.00. \nAvailable for order here. \n  \n 
URL:https://printcenter.org/100/event/book-launch-ken-lum-everything-is-relevant-writings-on-art-and-life-1991-2018/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200312T180000
DTEND;TZID=America/New_York:20200312T193000
DTSTAMP:20260510T172457
CREATED:20200220T213816Z
LAST-MODIFIED:20200701T220830Z
UID:9974-1584036000-1584041400@printcenter.org
SUMMARY:William Earle Williams: Party Pictures | Launch Party
DESCRIPTION:  \nPlease join us for a Launch Party at The Print Center! \nThe new monograph William Earle Williams: Party Pictures is dedicated to the artist’s acclaimed series of the same name. Williams’ insightful photographs taken in the 1970s and 80s revel in the details of a particular moment and reveal the unspoken cues of class\, race and gender. In Party Pictures\, you will find blue-blood doyennes in starched lace and society upstarts dripping with jewels alongside A-list celebrities and blue-collar wait staff. Williams employed his status as an artist to access otherwise inaccessible social events in Philadelphia\, such as highbrow charity galas\, as well as counter-culture costume parties and other gatherings. \nWilliam Earle Williams: Party Pictures was inspired by a 2011 exhibition of this work at The Print Center. Texts include an essay by The Print Center’s former Jensen Bryan Curator John Caperton\, connecting the “Party Pictures” to Williams’ other bodies of work\, an interview between Williams and Edith Newhall\, art critic for The Philadelphia Inquirer and ARTnews\, and an introduction by The Print Center’s Executive Director Elizabeth Spungen. \nWilliams is Professor of Fine Arts and Curator of Photography at Haverford College\, PA. His photographs have been exhibited widely\, including at the Cleveland Museum of Art\, Duke University\, Museum of Fine Arts Houston\, Smith College\, George Eastman House and National Gallery of Art. His work is in the collection of the Metropolitan Museum of Art\, New York Public Library and Philadelphia Museum of Art. Williams has received individual artist fellowships from the John Simon Guggenheim Memorial Foundation\, Pennsylvania Council on the Arts and Pew Center for Arts & Heritage. \nParty Pictures is a fascinating record of the time\, touching on the history of photography\, the legacy of Philadelphia and the societal changes of the late 20th century. \n________________________________________________________________________________________________ \nWilliam Earle Williams PARTY PICTURES \nPublished by The Print Center\, Philadelphia\, PA (February 2020). Hardbound with tipped-in cover image\, 8 ½” x 8 ½”\, 92 pages\, 44 black and white tritone plates and 29 illustrations\, in an edition of 500. Designed by Laurie Churchman\, printed by Brilliant\, Exton\, PA. Available from The Print Center for $65. \nSpecial Edition \nA special edition includes a signed book and a gelatin silver print of Untitled\, 1981/2020 (the cover image) in an edition of 20 with 5 APs. Retailing for $600\, the special edition is available at a pre-launch price of $550 through March 11\, 2020. \nBooks and Special Editions are available through The Print Center Gallery Store. To make a purchase contact Evan Laudenslager\, Sales & Program Manager\, at elaudenslager@printcenter.org\, 215.735.6090 x2 or order online. \n________________________________________________________________________________________________ \nPress Release\nPress Images \nPRESS \n‘William Earle Williams: Party Pictures\,’ The Eye of Photography\, March 2020 pdf \n‘William Earle Williams PARTY PICTURES.’ All About Photo\, February 2020 pdf \n 
URL:https://printcenter.org/100/event/william-earle-williams-party-pictures-launch-party/
CATEGORIES:book launch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200625T170000
DTEND;TZID=America/New_York:20200625T180000
DTSTAMP:20260510T172457
CREATED:20200121T154635Z
LAST-MODIFIED:20200721T200605Z
UID:9494-1593104400-1593108000@printcenter.org
SUMMARY:Artist Talk with Miguel A. Aragón
DESCRIPTION:Aragón in the studio\, Photo: Xavier Minguella\nThe Print Center is pleased to partner with the Manhattan Graphics Center (MGC) to present an artist talk with Miguel A. Aragón\, joined by Ksenia Nouril\, our Jensen Bryan Curator\, and Sarah Kirk Hanley\, MGC’s Executive Director. \nAragón will talk about his career and themes related to his ongoing work\, which was exhibited in Miguel A. Aragón: Indices of Silence/Índices del silencio (January 17 – March 13\, 2020) at The Print Center. \nMiguel A. Aragón (born Ciudad Juárez\, México; lives Staten Island\, NY) is a printmaker whose work explores memory\, perception and loss in relation to the mass murders\, arrests and corruption associated with the war on drugs in and beyond his hometown. \nWorking in a sophisticated array of media and techniques on paper\, from physical alteration of photocopies to wood burned-embossing\, puncturing and chemical alteration\, Aragón’s process ties directly to his concept and subject matter. He alters and distorts enlarged photographs of victims using forceful reductive processes that evoke loss and pain. Aragón’s charred\, poked\, drilled and erased images directly correlate to the damage the ongoing violence has burned into the collective Mexican memory. \nAragón has a BFA from the University of Texas\, El Paso and an MFA from the University of Texas\, Austin. He is Assistant Professor in Printmaking\, College of Staten Island\, City University of New York. He has exhibited extensively nationally and internationally in solo and group exhibitions\, and has received numerous awards\, prizes and residencies. His work has been included in several surveys of contemporary printmaking and is held in private and public collections\, such as the Museum of Fine Arts\, Boston; National Museum of Mexican Art\, Chicago; and Minneapolis Institute of Art. \nWatch the Talk:\n\n\n \n  \n\n \n\n \n\n  \n\n  \n 
URL:https://printcenter.org/100/event/artist-talk-miguel-a-aragon-indices-of-silence-indices-del-silencio/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200820T173000
DTEND;TZID=America/New_York:20200820T190000
DTSTAMP:20260510T172457
CREATED:20200803T174627Z
LAST-MODIFIED:20200923T181411Z
UID:10489-1597944600-1597950000@printcenter.org
SUMMARY:The Making of William Earle Williams: Party Pictures
DESCRIPTION:Presented on Zoom*\nLimited to 40 guests \nA virtual conversation on the making of William Earle Williams: Party Pictures. Published in February\, this monograph contains over 70 stunning black-and-white photographs by Williams\, taken in the 1970s and ‘80s at social events in and around Philadelphia – from upper crust Main Line society balls to Henri David’s infamous Halloween parties. In these insightful images of blue-blooded doyennes\, society upstarts\, A-list celebrities and blue-collar wait staff\, Williams reveals the unspoken cues of class\, race and gender. \nWilliams will be joined by contributors John Caperton (The Print Center’s former Curator)\, Edith Newhall (art writer for The Philadelphia Inquirer and Artnews) and Elizabeth Spungen (The Print Center’s Executive Director)\, along with designer Laurie Churchman of Designlore. The discussion will be moderated by Ksenia Nouril (The Print Center’s Jensen Bryan Curator). They will describe the project – from the exhibition that inspired it and early conversations to fully-fledged interviews and days on press. Audience questions and participation are welcomed! \nTicket: $50\nTicket + book: $90 (a $25 savings)\nTicket + special edition book with silver gelatin print: $600 (a $50 savings) \n  \nWatch the Talk:
URL:https://printcenter.org/100/event/the-making-of-william-earle-williams-party-pictures-panel-discussion/
CATEGORIES:fundraiser
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201003T130000
DTEND;TZID=America/New_York:20201004T160000
DTSTAMP:20260510T172457
CREATED:20200214T162529Z
LAST-MODIFIED:20200930T153536Z
UID:9782-1601730000-1601827200@printcenter.org
SUMMARY:Webinars for Professional Photographers with Mary Virginia Swanson
DESCRIPTION:© Susan kae Grant\nSaturday\, October 3 \nThe Long Term Personal Project: From Concept to Audience\n1:00pm–5:30pm (ET) \nSunday\, October 4\nPersonal Project Reviews\nSession 1: 1:00pm–4:00pm (ET) – SOLD OUT\nSession 2: 9:00am–12:00pm (ET) – SOLD OUT\nPrerequisite: The Long Term Personal Project: From Concept to Audience \n  \n\nThe Long Term Personal Project: From Concept to Audience\nSaturday\, October 3\, 1:00pm–5:30pm* (ET)\nLimited to 100 participants – presented on Zoom\nWhen an idea for a project becomes clear and the passion to produce new work takes hold\, an artist begins a unique journey unlike any other. Understanding your desired audience and the impact of your project are critical to achieving the expectations and results you desire. \nIn this webinar\, Mary Virginia Swanson will lead participants through the essential steps of thorough research and wise decision-making to create work that is authentic in both its creation and presentation with the strongest possibility of sponsorship\, exhibition and publication.  \nTopics include:\n• Developing project concept and defining audience\n• Identifying/establishing relationships with sponsors\, collaborators and venues\n• Researching/testing production materials appropriate to desired audience\n• Defining marketing strategies to share work in production with industry professionals\n• Sharing project content to print\, web and social media platforms\n• Relevant examples of project promotional materials from Swanson’s library will be shared \n* 45 minutes will be allocated for Q&A \n15-minute breaks will be provided at approximately 2:30pm and 4:30pm \nWHO IS ELIGIBLE TO ATTEND:  Photographers who have identified a project topic or have begun production on a project that they hope to share with larger audience. \nCOST $50 non-members/$25 members \nClick here to register. Please note after September 24\, refunds are no longer able to be offered. To verify membership and receive a discount code\, email Mikaela Hawk at mhawk@printcenter.org \nFull Details PDF \n  \nPersonal Project Reviews\nPresented on Zoom\nSession 1: 1:00pm–4:00pm (ET) Sold Out*\nSession 2: 9:00am–12:00pm (ET) Sold Out*\n\n\n\n*Email mhawk@printcenter.org to be added to the wait list. If there is enough demand\, a third session may be scheduled for a later date. \n\n\n\nPrerequisite: The Long Term Personal Project: From Concept to Audience\nAn opportunity to discuss your current photographic project with Mary Virginia Swanson. Each participant will share work from their project in a 20-minute session with Swanson\, joined by either Ksenia Nouril\, The Print Center’s Jensen Bryan Curator\, or Elizabeth Spungen\, The Print Center’s Executive Director\, and fellow participants. \nParticipant’s projects may be in the early or middle stage of production\, or nearing completion. Swanson\, Nouril and Spungen will be happy to look at work in all stages of production\, comment on project statements and grant applications\, review a book dummy\, comment on your website presence and/or discuss your Instagram strategy as it relates to the project presented. It is your choice as to how to use the time during this small group\, online session. \nParticipants will receive advice to on next steps\, likely sponsors\, collaborators and best practices to employ throughout the life of the projects to ensure the work reaches its target audience(s).  \nIn advance of the workshop\, participants will be asked to submit a Project Statement (approximately 3/4 page)\, 10 jpegs and a Project Status Checklist (to be provided). These should be sent by September 25 to mhawk@printcenter.org. \nWHO IS ELIGIBLE TO ATTEND: Photographers who attend The Long-Term Personal Project: from Concept to Audience\, on Saturday\, October 3\, 2020. \nCOST $100 non-members/$75 members \nClick here to register. To verify membership and receive a discount code\, email Mikaela Hawk at mhawk@printcenter.org \nFull Details PDF \n  \nABOUT MARY VIRGINIA SWANSON \nMary Virginia Swanson is an author\, educator and advisor who helps artists find the strength in their work\, identify appreciative audiences and present their work in an informed\, professional manner. \nUnique among authorities in our field\, Swanson’s in-depth knowledge\, professional reputation and connections throughout our industry offers a broad range of perspectives on both the making and marketing of photo-based work. \nHer public seminars\, lectures on marketing opportunities\, in-depth workshops and retreats have proven to aid photographers in moving their careers to the next level. \nwww.mvswanson.com / @maryvirginiaswanson
URL:https://printcenter.org/100/event/seminars-for-professional-artists-with-mary-virginia-swanson/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201028T180000
DTEND;TZID=America/New_York:20201028T190000
DTSTAMP:20260510T172457
CREATED:20201021T213837Z
LAST-MODIFIED:20210224T175342Z
UID:10908-1603908000-1603911600@printcenter.org
SUMMARY:Curatorial “Walkthrough” with Ksenia Nouril
DESCRIPTION:Presented on Zoom \nThe Print Center’s Jensen Bryan Curator Ksenia Nouril will lead a “walkthrough” of the virtual exhibition (Un)Making Monuments followed by a Q&A. Nouril will discuss the works in the show\, the genesis of the exhibition and will touch upon its larger themes. \n\n  \nWatch the Walkthrough:
URL:https://printcenter.org/100/event/curatorial-walkthrough-with-ksenia-nouril/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201029T180000
DTEND;TZID=America/New_York:20201029T190000
DTSTAMP:20260510T172457
CREATED:20201020T163653Z
LAST-MODIFIED:20210224T175222Z
UID:10890-1603994400-1603998000@printcenter.org
SUMMARY:Conversation with Jenny Schmid and Sarah Kirk Hanley
DESCRIPTION:Jenny Schmid\, Frontispiece\, from the portfolio “Pandemic/Pandemonium\,” 2020\, Linocut\, 29″ x 22″\n  \n\nPresented on Zoom \nJoin The Print Center Gallery Store to launch Jenny Schmid’s new portfolio “Pandemic/Pandemonium\,” 2020. Schmid will be joined by Sarah Kirk Hanley in a conversation moderated by Evan Laudenslager\, exploring these new prints which address the COVID-19 pandemic and its effect on American society. The complete portfolio is six prints\, in an edition of 10\, housed in a black folio case for $1\,600. Individual prints are available in an additional edition of 10 for $300. \nSarah Kirk Hanley is the Executive Director of the Manhattan Graphics Center. She has 20 years of experience in the print world\, and her knowledge of Western prints spans the Renaissance to the present day. \nEvan Laudenslager is the Sales Manager at The Print Center. \n\n  \nWatch the Talk:
URL:https://printcenter.org/100/event/conversation-with-jenny-schmid-and-sarah-kirk-hanley/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201105T180000
DTEND;TZID=America/New_York:20201105T190000
DTSTAMP:20260510T172457
CREATED:20201021T214723Z
LAST-MODIFIED:20210224T175055Z
UID:10912-1604599200-1604602800@printcenter.org
SUMMARY:Panel Discussion with Monument Lab
DESCRIPTION:Presented on Zoom \nIntroduced by Paul Farber (Director\, Monument Lab)\, and moderated by Alliyah Allen (Assistant Curator\, Monument Lab) – this panel will reunite Nona Faustine\, Kaitlin Pomerantz and Marisa Williamson\, all of whom have worked with Monument Lab. Together\, they will reflect on their earlier works\, explain how their practice has grown in the intervening years and discuss what kinds of monuments we will need for the future. \n \n\n  \nWatch the Panel:
URL:https://printcenter.org/100/event/panel-discussion-with-monument-lab/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201215T180000
DTEND;TZID=America/New_York:20201215T190000
DTSTAMP:20260510T172457
CREATED:20201204T215554Z
LAST-MODIFIED:20210224T174911Z
UID:11564-1608055200-1608058800@printcenter.org
SUMMARY:Artist Talk with Anastasia Samoylova
DESCRIPTION:Presented on Zoom\nJoin us for a virtual artist talk with Anastasia Samoylova! Her photographs address the impacts of rising sea levels on the urban landscape\, sounding the alarm on climate change. Samoylova’s most recent body of work FloodZone\, will be on view at The Print Center in 2021. It was published as a monograph by Steidl in 2020. Hear the Russian-born\, Miami-based artist discuss the process of editing and sequencing the book with Steidl as well as how she is continuing the series. \n  \nWatch the Talk:
URL:https://printcenter.org/100/event/artist-talk-with-anastasia-samoylova/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210210T180000
DTEND;TZID=America/New_York:20210210T190000
DTSTAMP:20260510T172457
CREATED:20210202T215739Z
LAST-MODIFIED:20210224T174735Z
UID:11670-1612980000-1612983600@printcenter.org
SUMMARY:Labor Camp: Panel Discussion on Art & Activism
DESCRIPTION:Piotr Szyhalski\, posters from the series ”Covid-19: Labor Camp Report\,” 2020\nPresented on Zoom\n\nOn March 24\, 2020\, Piotr Szyhalski made a drawing that would evolve into “Covid-19: Labor Camp Report\,” a series of artistic responses to the global pandemic. Today the project\, which can be seen in its entirety on Instagram @laborcamp\, comprises over 225 digitally-printed posters that have been wheatpasted across the U.S. from Los Angeles to Baltimore and Minneapolis to Philadelphia. Join us to hear Szyhalski speak with Anna Drozdowski and Joseph del Pesco\, who organized the wheatpasting efforts in Philadelphia and Baltimore\, respectively. They will reflect on the project as well as the role of art and activism in society today. \nAnna Drozdowski builds cultural experiences that call upon performance to communicate in moments when words may fail us. She splits her time between Philadelphia and Vermont. She teaches at Moore College of Art and Design\, Philadelphia. \nJoseph del Pesco is a curator\, writer and publisher based in Baltimore\, MD. He is International Director of KADIST (Paris & San Francisco). \nPiotr Szyhalski is a Polish-born\, Minneapolis-based multimedia artist and founder of Labor Camp\, an ongoing art project that includes interactive components (digital and physical)\, original music\, performances\, videos\, printed ephemera\, texts and an archive of online resources. He teaches at the Minneapolis College of Art and Design\, MN.\n\nWatch the Panel:
URL:https://printcenter.org/100/event/labor-camp-panel-discussion-on-art-activism/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210217T180000
DTEND;TZID=America/New_York:20210217T190000
DTSTAMP:20260510T172457
CREATED:20210202T221459Z
LAST-MODIFIED:20210224T225517Z
UID:11679-1613584800-1613588400@printcenter.org
SUMMARY:Artist Talk with Kevin Claiborne
DESCRIPTION:Presented on Zoom\nJoin us for an artist talk with Kevin Claiborne\, solo exhibition award winner from the 95th ANNUAL International Competition. This program is presented in conjunction with Claiborne’s current exhibition: Before I Died I Was Invisible. \nKevin Claiborne (born Camp Springs\, MD; lives New York\, NY) is a multidisciplinary conceptual artist whose practice crisscrosses photography and printmaking. His work examines and questions intersections of identity\, environment and mental health within the Black American experience. He holds a BS in mathematics from the historically Black college\, North Carolina Central University\, Durham and an MS in higher education administration from Syracuse University\, NY. He is an MFA candidate in Visual Arts at Columbia University\, New York. He has had solo exhibitions at Thierry Goldberg Gallery\, New York; Santa Barbara Center for Art\, Science and Technology and the University of California Santa Barbara Multicultural Center Gallery. His work has been featured in group exhibitions at venues including the University of California\, Los Angeles; At Peace Gallery and Photoville\, both New York; and Arts Fund\, Santa Barbara. Claiborne’s work is in the collection of the Whitney Museum of American Art\, New York.  \nKevin Claiborne: Before I Died I Was Invisible is on view through April 30\, 2021. \nView the exhibition here.  \n  \nWatch the Talk:
URL:https://printcenter.org/100/event/artist-talk-with-kevin-claiborne/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210324T180000
DTEND;TZID=America/New_York:20210324T190000
DTSTAMP:20260510T172457
CREATED:20210202T222604Z
LAST-MODIFIED:20210329T192341Z
UID:11685-1616608800-1616612400@printcenter.org
SUMMARY:Artist Talk with David Rothenberg (Rescheduled)
DESCRIPTION:Presented on Zoom\nJoin us for this rescheduled artist talk with David Rothenberg\, solo exhibition award winner from the 95th ANNUAL International Competition. This program is presented in conjunction with Rothenberg’s current exhibition: Landing Lights Park. The date change is due to unforeseen circumstances and we apologize for any inconvenience. \nDavid Rothenberg (born Mission Viejo\, CA; lives Queens\, NY) is a photographer and educator. Rothenberg received a BFA from Parsons School of Design\, New York and an MFA from Bard College\, Annandale-on-Hudson\, NY. Rothenberg has produced two books of his work with the publisher Roman Nvmerals\, including Landing Lights Park\, which TIME named one of the best photography books of 2018. His photographs have been published and written about in Hyperallergic\, Libération and The New York Times\, as well as featured on The New Yorker’s Instagram account. Rothenberg received the PHOTO 2021 x Perimeter International Photobook Prize for his forthcoming book Roosevelt Station. His work has been exhibited at and is in the collection of the Museum of the City of New York\, as well as being in the permanent collection of numerous library special collections including the School of the Art Institute of Chicago; Amon Carter Museum of American Art\, Fort Worth\, TX; and The Museum of Modern Art\, New York. In 2019\, Rothenberg was awarded the Peter S. Reed Foundation Grant for photography. \nDavid Rothenberg: Landing Lights Park is on view through April 30\, 2021. \nView the exhibition here.  \n  \nWatch the Talk:
URL:https://printcenter.org/100/event/artist-talk-with-david-rothenberg/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210421T180000
DTEND;TZID=America/New_York:20210421T190000
DTSTAMP:20260510T172457
CREATED:20210202T222930Z
LAST-MODIFIED:20210419T211148Z
UID:11688-1619028000-1619031600@printcenter.org
SUMMARY:Artist Talk with Dawn Kim
DESCRIPTION:Presented on Zoom\nThe title of Dawn Kim’s artist talk\, “If it ain’t the windmill\, it’s the cows\,” comes from an old farming idiom. It refers to the constancy of roving problems that arise in labor and living. This lecture will cover Kim’s failures as an artist\, one after the other\, some of which involved her cows\, her windmill\, and her work. This event is presented in conjunction with our current exhibition: Half Rest and Windows on Latimer installation Fourteen Freedoms. \n\nDawn Kim (born Seoul\, South Korea; lives Austin\, TX) examines invisible systems of power through text and image. She received a BFA from the Art Center College of Design\, Pasadena\, CA and an MFA in Photography from Yale University\, New Haven\, CT. Kim has exhibited at numerous venues\, including Luke Glanton Gallery\, Amsterdam\, NY; Whitespace Gallery\, Atlanta; ACRE\, Chicago\, IL; Yale School of Art\, New Haven\, CT; Blackbox Gallery and Hap Gallery\, both Portland\, OR; and Washer Dryer Projects\, Salt Lake City\, UT; as well as at Para Site\, Hong Kong. Her work can be found in the libraries of the International Center of Photography\, The Museum of Modern Art and New York Public Library\, all New York; as well as the National Library of Wales\, Aberystwyth\, National Library of Scotland\, Edinburg\, The British Library\, London and Bodleian Library\, Oxford\, all UK. Kim is the 2020-21 St. Elmo Arts Fellow at the University of Texas at Austin. Previously\, she has had residences at the Vermont Studio Center\, Johnson and Ace Hotel\, New York; as well as a Macdowell Colony Fellowship\, Peterborough\, NH\, among others. \nDawn Kim: Half Rest and Fourteen Freedoms are on view through April 30\, 2021.\n \nThis program is free and open to the public. To register: email mhawk@printcenter.org. (This event will not be available for later viewing.) \n 
URL:https://printcenter.org/100/event/artist-talk-with-dawn-kim/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210505T180000
DTEND;TZID=America/New_York:20210505T190000
DTSTAMP:20260510T172457
CREATED:20210415T193446Z
LAST-MODIFIED:20210624T173520Z
UID:11874-1620237600-1620241200@printcenter.org
SUMMARY:Curatorial Tour of Fit to Print
DESCRIPTION:Presented on Zoom\n \nLisa Blas\, First(s)\, Monday’s image\, v. 2\, 2021\, courtesy of the Artist\n\nThe Print Center’s Jensen Bryan Curator Ksenia Nouril\, along with exhibition advisor and exhibiting artist Lisa Blas\, will lead a virtual tour of the exhibition Fit to Print followed by a Q&A. They will discuss the works in the show\, the genesis of the exhibition and touch upon its larger themes. \nFit to Print is on view May 1 – June 30\, 2021\n\nWatch the Talk:
URL:https://printcenter.org/100/event/curatorial-walkthrough-of-fit-to-print/
CATEGORIES:virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210513T180000
DTEND;TZID=America/New_York:20210513T190000
DTSTAMP:20260510T172457
CREATED:20210415T215222Z
LAST-MODIFIED:20210624T173324Z
UID:11880-1620928800-1620932400@printcenter.org
SUMMARY:Conversation: Wood+Paper+Box
DESCRIPTION:Wood+Paper+Box\, 2014\, portfolio box containing 19 printed objects\nPresented on Zoom\nJoin us for a conversation moderated by Evan Laudenslager\, our Sales & Program Manager\, with the artist collective Wood+Paper+Box. Comprised of Print Center Gallery Store artists Katie Baldwin and Yoonmi Nam along with the printmaker and illustrator Mariko Jesse\, the collective creates collaborative portfolio boxes that push the boundaries of traditional print. Baldwin will join us from Taipei\, where she currently is a Fulbright Scholar\, Nam will participate from Lawrence\, KS\, where she is Visual Arts Professor at the University of Kansas\, and Jesse will join us from Tokyo\, where she lives when she is not in California.\n  \n\nWatch the Talk:
URL:https://printcenter.org/100/event/conversation-with-katie-baldwin-and-yoonmi-nam/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210616T130000
DTEND;TZID=America/New_York:20210616T140000
DTSTAMP:20260510T172457
CREATED:20210506T205255Z
LAST-MODIFIED:20210624T173126Z
UID:11923-1623848400-1623852000@printcenter.org
SUMMARY:Panel Discussion: Newspapers in Art
DESCRIPTION:Presented on Zoom\n Beatriz González\, Lesa majestad [High Treason]\, 1974. Courtesy of the Artist\, Casas Riegner and Banco de Archivos Digitales de Artes en Colombia\, both Bogotá\n\nJoin moderator Lisa Blas for a conversation with Alice Centamore\, the Paris-based art historian and writer who will present on Simone Forti’s “Newspaper Animations\,” and Silvia Benedetti\, the New York-based curator and writer who will present on the relationship between the media and artwork of Beatriz González.\n\n  \nWatch the Talk:
URL:https://printcenter.org/100/event/panel-discussion-newspapers-in-art/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210923T180000
DTEND;TZID=America/New_York:20210923T193000
DTSTAMP:20260510T172457
CREATED:20210916T144700Z
LAST-MODIFIED:20210916T144700Z
UID:12109-1632420000-1632425400@printcenter.org
SUMMARY:Opening Reception: Fall Exhibitions
DESCRIPTION:Please join us for the Opening Reception for The Print Center’s fall exhibitions: Anastasia Samoylova: FloodZone and Back and Forth: The Space in Between. \n  \nAnastasia Samoylova: FloodZone – Photographs by the Moscow-born\, Miami-based artist\, responding to rising sea levels caused by global climate change \nBack and Forth: The Space in Between – A solo exhibition of work by Ivanco Talevski\, mapping the artist’s bifurcated existence between Philadelphia\, PA and Bitola\, Macedonia. The immersive installation of new prints\, drawings\, projections and sounds works investigates notions of memory\, history and belonging\, as well as the multiplicity of identities a single individual can embody. \n  \nIn lieu of The Print Center’s usual gallery talk preceding the opening reception\, a recorded gallery tour will be available at printcenter.org beginning September 22. This adjusted event format\, as well as extra outdoor space during the reception\, are temporary safety measures. \nAll visitors are required to be vaccinated and wear facemasks while indoors.
URL:https://printcenter.org/100/event/opening-reception-fall-exhibitions/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211028T180000
DTEND;TZID=America/New_York:20211028T190000
DTSTAMP:20260510T172457
CREATED:20210916T161254Z
LAST-MODIFIED:20211117T183020Z
UID:12123-1635444000-1635447600@printcenter.org
SUMMARY:Artist Talk and Book Launch with Ivanco Talevski
DESCRIPTION:  \n \nIvanco Talevski will present a lecture on his work\, his current exhibition Back and Forth: The Space in Between at The Print Center and the his new book published in conjunction with the show\, Book of Drawings. \nOnsite the event will be limited to 20 in-person guests. Reservations are required and will be accepted on a first come\, first-served basis. Visitors are required to be vaccinated and wear facemasks. \nThe event will also be streamed live on Zoom.  \n  \nPreorder Book of Drawings here \n  \nAll of The Print Center’s exhibitions and programs are free and open to the public. \n  \n  \n  \n  \nWatch the Talk:
URL:https://printcenter.org/100/event/artist-talk-and-book-launch-with-ivanco-talevski/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211110T180000
DTEND;TZID=America/New_York:20211110T190000
DTSTAMP:20260510T172457
CREATED:20210916T161546Z
LAST-MODIFIED:20211108T224739Z
UID:12125-1636567200-1636570800@printcenter.org
SUMMARY:Panel Discussion: Art\, the Environment and Environmental Justice
DESCRIPTION:Giovanna Di Chiro\, David Hartt and Alexis Schulman\nPresented on Zoom\nJoin The Print Center for a conversation with David Hartt (Associate Professor of Fine Arts\, University of Pennsylvania)\, Alexis Schulman (Assistant Research Professor of Biodiversity\, Earth and Environmental Science\, Drexel University) and Giovanna Di Chiro (Professor of Environmental Studies\, Swarthmore College) reflecting on themes and issues addressed in FloodZone\, moderated by Ksenia Nouril. \nRegister here \n  \nAll of The Print Center’s exhibitions and programs are free and open to the public.
URL:https://printcenter.org/100/event/panel-discussion-art-the-environment-and-environmental-justice/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T190000
DTSTAMP:20260510T172457
CREATED:20211116T220155Z
LAST-MODIFIED:20211116T220155Z
UID:12326-1637344800-1637348400@printcenter.org
SUMMARY:Benefit Kickoff Party
DESCRIPTION:Presented on Zoom\nPlease join The Print Center as we kickoff our Annual Benefit! This lively event will include Honorary Guest Curator Catherine Edelman\, our Board of Governors\, spotlights on artworks up for bid from Executive Director Liz Spungen\, Jensen Bryan Curator Ksenia Nouril\, our spectacular Benefit Committee and donating artists!\nPresented on Zoom.\n\nMore about the Benefit\nTicket required
URL:https://printcenter.org/100/event/benefit-kickoff-party/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211201T170000
DTEND;TZID=America/New_York:20211201T180000
DTSTAMP:20260510T172457
CREATED:20211124T221041Z
LAST-MODIFIED:20211124T221041Z
UID:12429-1638378000-1638381600@printcenter.org
SUMMARY:Emerging Collectors Preview
DESCRIPTION:  \nEnjoy an evening in our galleries* previewing the artwork up for bid and hearing from donating artists and other collectors! Learn more about the Benefit \nFree to attend\, RSVP required – space is limited. Register at benefit@printcenter.org by November 29. \n  \n*Vaccination and facemasks are required for all visitors \n  \n 
URL:https://printcenter.org/100/event/emerging-collectors-preview/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220127T180000
DTEND;TZID=America/New_York:20220127T190000
DTSTAMP:20260510T172458
CREATED:20211228T040714Z
LAST-MODIFIED:20211228T040802Z
UID:12806-1643306400-1643310000@printcenter.org
SUMMARY:Artist Talk with Vikesh Kapoor
DESCRIPTION:Vikesh Kapoor\, Our Childhood Swimming Pool\, 2016\nPresented on Zoom\nJoin us for an Artist Talk with Vikesh Kapoor as he discusses his work and his solo exhibition\, awarded from The Print Center’s 96th ANNUAL International Competition. \nRegister for the talk\nVikesh Kapoor: See You at Home presents a view into the everyday lives of the artist’s parents\, who serve as metaphors for the making and breaking of self-identity today. On view January 21 – March 12\, 2022.
URL:https://printcenter.org/100/event/artist-talk-with-vikesh-kapoor/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T120000
DTEND;TZID=America/New_York:20220209T130000
DTSTAMP:20260510T172458
CREATED:20220304T215202Z
LAST-MODIFIED:20220304T215202Z
UID:12879-1644408000-1644411600@printcenter.org
SUMMARY:Guided Exhibition Tour
DESCRIPTION:The Print Center is pleased to offer free\, guided tours of the 96th ANNUAL solo exhibitions\, led by Ksenia Nouril\, our Jensen Bryan Curator.  Advance registration is required and capacity is limited to 15 people per tour. \nThe tour will be repeated on three separate dates and each will explore all three exhibitions: John Joyce: Jab\, Cross\, Hook\, Vikesh Kapoor: See You at Home and Donavon Smallwood: Languor / Beebe. \nRegister
URL:https://printcenter.org/100/event/guided-exhibition-tour-3/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220210T180000
DTEND;TZID=America/New_York:20220210T190000
DTSTAMP:20260510T172458
CREATED:20211228T041229Z
LAST-MODIFIED:20211228T041714Z
UID:12814-1644516000-1644519600@printcenter.org
SUMMARY:Artist Talk with Donavon Smallwood
DESCRIPTION:Donavon Smallwood\, Untitled\, 2020\nPresented on Zoom\nJoin us for an Artist Talk with Donavon Smallwood as he discusses his work and his solo exhibition\, awarded from The Print Center’s 96th ANNUAL International Competition. \nRegister for the talk\nDonavon Smallwood: Languor / Beebe presents a selection of recent portraits\, landscapes and still lifes that picture the Black body and experience in a state of radical meditation. On view January 21 – March 12\, 2022.
URL:https://printcenter.org/100/event/artist-talk-with-donavon-smallwood/
END:VEVENT
END:VCALENDAR