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X-WR-CALDESC:Events for The Print Center
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T180000
DTEND;TZID=America/New_York:20191002T193000
DTSTAMP:20260512T174734
CREATED:20190910T170833Z
LAST-MODIFIED:20190912T154235Z
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SUMMARY:Gallery Talk & Book Launch | Keith Carter
DESCRIPTION:Keith Carter\, Deliberately Insulting\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\n  \n \n  \nKeith Carter leads a walkthrough of the exhibition Keith Carter: Seek & Find followed by a signing of his newest book Keith Carter: Fifty Years (University of Texas Press\, 2018). \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n  \n  \n  \n  \n 
URL:https://printcenter.org/100/event/gallery-talk-book-launch/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T193000
DTEND;TZID=America/New_York:20191002T213000
DTSTAMP:20260512T174734
CREATED:20190911T181455Z
LAST-MODIFIED:20190912T154354Z
UID:9145-1570044600-1570051800@printcenter.org
SUMMARY:Intimate Dinner With Keith Carter
DESCRIPTION:Keith Carter\, Tea Stain\, 2018. Courtesy of the Artist\n \n  \nHosted by Crystal Gurin in her South Philadelphia home.\nFollowing Carter’s Gallery Talk and Book Signing at The Print Center. \nPurchase your Ticket today! \n$75   Dinner with Keith Carter\n$125   Dinner PLUS a Signed Copy of Keith Carter Fifty Years \nor\, call Mikaela Hawk at 215.735.6090 x1 to RSVP \nExhibition | Keith Carter: Seek & Find \n 
URL:https://printcenter.org/100/event/intimate-dinner-with-keith-carter/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191003T180000
DTEND;TZID=America/New_York:20191003T193000
DTSTAMP:20260512T174734
CREATED:20190910T201303Z
LAST-MODIFIED:20190912T154415Z
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SUMMARY:Lecture by Keith Carter\, at the University of Pennsylvania
DESCRIPTION:Keith Carter\, Letters and Arts\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\n  \nUniversity of Pennsylvania\nKislak Center\, Van Pelt-Dietrich Library Center\n3420 Walnut Street\, Philadelphia\, PA 19104 \nThursday\, October 3\, 6:00pm \nKeith Carter speaks about his career with a focus on his most recent series “Walt Whitman: ‘Beautiful Imperfect Things’”. \nExhibition | Keith Carter; Seek & Find \n 
URL:https://printcenter.org/100/event/lecture-by-keith-carter-at-the-university-of-pennsylvania/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191010T130000
DTEND;TZID=America/New_York:20191010T143000
DTSTAMP:20260512T174734
CREATED:20190910T202349Z
LAST-MODIFIED:20191004T175006Z
UID:9110-1570712400-1570717800@printcenter.org
SUMMARY:Artist Lecture by Bethany Collins\, at The University of the Arts
DESCRIPTION:Bethany Collins\, America: A Hymnal\, 2017\, book with 100 laser cut leaves\, 6” x 9” x 1”\, special edition of 25. Courtesy of the Artist and PATRON Gallery\, Chicago\n  \nThe University of the Arts\nGershman Hall\, Elaine C. Levitt Auditorium\n401 South Broad Street Philadelphia \nBethany Collins speaks about her career\, exploring how race and language interact in her work through drawing\, printmaking\, sculpture and performance. \nExhibition: The Politics of Rhetoric\, at The Print Center \n  \n  \nCollins is the 2019 Libby Newman Visiting Artist in Fine Arts\, Expanded Drawing+Printmaking at The University of the Arts. \n  \n  \n 
URL:https://printcenter.org/100/event/lecture-by-bethany-collins-at-the-university-of-the-arts/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191010T180000
DTEND;TZID=America/New_York:20191010T193000
DTSTAMP:20260512T174734
CREATED:20190910T174851Z
LAST-MODIFIED:20191008T151332Z
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SUMMARY:A Conversation with Bethany Collins + Amber Rose Johnson
DESCRIPTION:Bethany Collins. Photo: Chris Edward\nAmber Rose Johnson. Photo: Christian Hayden\nExhibiting artist Bethany Collins joins Philadelphia-based writer and editor Amber Rose Johnson in conversation about the uses and abuses of language in art within the context of the exhibition The Politics of Rhetoric. \n  \nBethany Collins (b. 1984\, Montgomery\, AL) is a Chicago-based multidisciplinary artist who examines the relationship between race and language in her work. She earned a BA in studio art and visual journalism from the University of Alabama\, 2007 and an MFA in drawing and painting from Georgia State University\, 2012. \nCollins has had solo exhibitions at The University of Kentucky Art Museum\, Lexington; University Galleries of Illinois State University\, Normal; and Contemporary Art Museum St. Louis\, all 2019; Patron Gallery\, Chicago\, 2017 and 2018; Locust Projects\, Miami\, 2018; Center for Book Arts\, New York\, 2018; Davidson College Smith Gallery\, Davidson\, NC\, 2016; and Athens Institute of Contemporary Art\, Athens\, GA\, 2015. \nSelected group exhibitions include Museum of Contemporary Art Chicago; Smart Museum\, Chicago; Museum of Contemporary Art Detroit; and Institute for Contemporary Art at Virginia Commonwealth University\, Richmond\, all 2019; Tarble Arts Center at Eastern Illinois University\, Charleston; DePaul Art Museum\, Chicago; and the Richard M. Ross Art Museum at Ohio Wesleyan University\, Delaware\, OH\, all 2018; the Wexner Center for the Arts\, Columbus\, OH and Pennsylvania Academy of the Fine Arts\, Philadelphia\, both 2017; as well as The Studio Museum in Harlem\, New York\, 2014 and 2017. Additional selected New York group exhibitions include those at Galerie Lelong\, The Drawing Center and Wallach Art Gallery at Columbia University\, all 2016. Collins’ work has been included in exhibitions internationally at Goodman Gallery\, Johannesburg\, South Africa; and the University of Toronto Art Centre Barnicke Gallery\, both 2015. \nThe artist has received awards\, grants\, fellowships and residencies including The LeRoy Neiman and Janet Byrne Neiman Artadia Award\, 2019; Artist Fellowship Award\, Illinois Arts Council Agency\, 2019; the Efroymson Contemporary Arts Fellowship\, 2018; Jackman Goldwasser Residency and Hyde Park Art Center Residency\, 2016; Bemis Center for Contemporary Art Residency; Hudgens Prize; and Pollock-Krasner Foundation Grant\, all 2015; The Studio Museum in Harlem\, Artist-in-Residence\, 2013-2014; and the Artadia Award\, 2014\, among others. \nHer work is part of many public collections including the High Museum of Art\, Atlanta\, GA; Birmingham Museum of Art\, AL; University of Virginia\, Special Collections Library\, Charlottesville; The Art Institute of Chicago; Smart Museum of Art\, Chicago; The University of Chicago; Agnes Scott University\, Decatur\, GA; Zuckerman Museum of Art\, Kennesaw\, GA; Montgomery Museum of Fine Arts\, AL; The Studio Museum in Harlem\, New York; Illinois State University\, Special Collections Department\, Normal; Pennsylvania Academy of the Fine Arts Museum\, Philadelphia; and The Peabody Essex Museum\, Salem\, MA. \n  \nAmber Rose Johnson is a creative and critical thinker from Providence\, RI currently based in Philadelphia. In her practice\, she is invested in exploring the intersections between experimental poetics\, performance and critical theory throughout the Black Diaspora as well as how various manifestations of “poetics of relation” can move us toward new ways of thinking\, knowing and being together. She currently is pursuing a PhD in English and Africana Studies at the University of Pennsylvania and previously held a research appointment in the Women and Gender Studies Department at the University of Toronto as a Fulbright Scholar. Her editorial projects include the exhibition catalog for Colored People Time at the Institute of Contemporary Art\, Philadelphia and the exhibition catalog for Great Force at the Institute of Contemporary Art\, Richmond\, VA. Her writing has been featured in BOMB Magazine and Jacket2. Johnson is the curator of a conversation and workshop series on creative process entitled Mess + Process and is the co-coordinator of the Black Cultural Studies Collective\, both in Philadelphia. \n  \nThe Print Center is pleased to acknowledge the support of The Libby Newman Visiting Artist Lecture\, Fine Arts\, Expanded Drawing+Printmaking\, The University of the Arts. \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n 
URL:https://printcenter.org/100/event/conversation-with-bethany-collins/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T180000
DTEND;TZID=America/New_York:20191015T193000
DTSTAMP:20260512T174734
CREATED:20190925T185846Z
LAST-MODIFIED:20190925T190055Z
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SUMMARY:Open Door at the Rail Park and Site/Sound
DESCRIPTION:Mockup of Moon Viewing Platform\, Courtesy of Site/Sound.\nJoin us for a walking tour of the Philadelphia Rail Park\, with artist Sarah McEneaney\, who was the driving force behind developing this shared urban space rising from the tracks and thoroughfares that were once the terminus of the mighty Reading Railroad. McEneaney now serves as the Vice Chair of the Rail Park’s Board of Directors. \nIn addition to touring the Rail Park\, we will view a number of temporary\, site-specific audio-visual installations from Site/Sound: Revealing the Rail Park. We will be joined by artist Matthew Suib\, who will talk with us about the installation Moon Viewing Platform\, which he created with Nadia Hironaka and Eugene Lew in conjunction with Mural Arts Philadelphia. \nMoon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring\, a stage and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden)\, as it becomes a set for a series of short videos and musical performances\, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion\, creativity\, and community as essential components of human life. \nThe installation’s viewing sites are wheelchair accessible. \nOpen Door offers unique behind-the-scenes tours at Philadelphia’s most intriguing cultural sites. \nThis event is free and open to the public. RSVP is required. \nRSVP to Mikaela Hawk by October 14 at Mhawk@printcenter.org or 215.735.6090 x1
URL:https://printcenter.org/100/event/open-door-at-the-rail-park-and-site-sound/
CATEGORIES:open door
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191016T180000
DTEND;TZID=America/New_York:20191016T193000
DTSTAMP:20260512T174734
CREATED:20190910T180707Z
LAST-MODIFIED:20191015T170337Z
UID:9073-1571248800-1571254200@printcenter.org
SUMMARY:Panel on Race\, Sexuality\, and Whitman
DESCRIPTION:Keith Carter\, Poem of The Black Person\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\nWriter Lavelle Porter\, artist Jonathan Lyndon Chase and Whitman at 200 curator Judith Tannenbaum join Ksenia Nouril in a panel discussion addressing race and sexuality in the work of Walt Whitman. Using examples from their respective practices\, the panelists will reflect on the implications of Whitman’s writings on issues of race and sexuality today. \n  \nJonathan Lyndon Chase\nJonathan Lyndon Chase is an interdisciplinary artist principally working in modes of painting\, video and sculpture to depict queer black love and community amid the backdrop of urban and domestic spaces. Recent solo exhibitions include those at Kohn Gallery\, Los Angeles; Company Gallery\, New York; and Pond Society\, Shanghai\, China. Chase has participated in group exhibitions at the California African American Museum\, Los Angeles; Rubell Family Collection\, Miami; The Bunker\, Collection of Beth Rudin De-Woody\, Palm Beach; Pennsylvania Academy of the Fine Arts and Woodmere Art Museum\, both Philadelphia; and Taubman Museum of Art\, Roanoke. Chase’s work is included in numerous private and public collections such as the High Museum of Art\, Atlanta; Bronx Museum; Los Angeles County Museum of Art; ICA Miami and Rubell Family Collection\, both Miami; Walker Art Center\, Minneapolis\, MN; Whitney Museum of American Art\, New York; Pennsylvania Academy of the Fine Arts and Woodmere Museum of Art\, both Philadelphia as well as Buxton Contemporary Art Museum\, Melbourne\, Australia and The Wedge Collection\, Toronto\, Canada. Born in Philadelphia\, Chase continues to live and work in this city. \n  \nLavelle Porter\nLavelle Porter holds BA in history from Morehouse College\, Atlanta and a PhD in English from The Graduate Center\, City University of New York (CUNY). He is the author of The Blackademic Life: Academic Fiction\, Higher Education\, and the Black Intellectual (Northwestern University Press: Evanston\, 2019). A native of Meridian\, Mississippi\, Porter is currently Assistant Professor of English at New York City College of Technology (City Tech)\, CUNY. His writing has appeared in publications\, including The New Inquiry\, Poetry Foundation\, and JSTOR Daily\, and he is a blogger for Black Perspectives. Porter serves on the Board of Directors of the CLAGS Center for LGBTQ Studies at The Graduate Center\, CUNY. He also has worked as a licensed New York City walking tour guide and teaches courses on New York City literature and history. \n  \n  \n  \nJudith Tannenbaum. Photo: Jan Howard.\n\nJudith Tannenbaum is the Artistic Director of Whitman at 200: Art and Democracy\, a region-wide initiative organized by the University of Pennsylvania Libraries’ Kislak Center supported by The Pew Center for Arts & Heritage. Tannenbaum served as curator\, associate director\, and interim director at the Institute of Contemporary Art\, University of Pennsylvania\, Philadelphia between 1986 and 2000. In 1989-90\, she defended public funding for the arts and artistic freedom in relation to the controversial Robert Mapplethorpe exhibition\, The Perfect Moment\, originated by ICA. Between 2000 and 2013\, Tannenbaum was the Richard Brown Baker Curator of Contemporary Art at the Museum of Art\, Rhode Island School of Design (RISD)\, Providence\, RI where her exhibitions included What Nerve! Alternative Figures in American Art\, 1960 to the Present (2014); Arlene Shechet: Meissen Recast (2014); Lynda Benglis (2010); and Island Nations: New Art from Cuba\, the Dominican Republic\, Puerto Rico\, and the Diaspora (2004). Since returning to Philadelphia\, Tannenbaum organized Person of the Crowd: The Contemporary Art of Flânerie (2017) at the Barnes Foundation and Framing Fraktur: Word & Image (2015) at the Free Library of Philadelphia. Tannenbaum holds an honorary Doctorate of Fine Arts from Moore College of Art & Design\, Philadelphia. \n  \n\nExhibition | Keith Carter: Seek & Find \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n  \n  \n  \n 
URL:https://printcenter.org/100/event/panel-on-race-sexuality-and-whitman/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191022T180000
DTEND;TZID=America/New_York:20191022T193000
DTSTAMP:20260512T174734
CREATED:20190910T205656Z
LAST-MODIFIED:20190913T185815Z
UID:9121-1571767200-1571772600@printcenter.org
SUMMARY:Crack Up-Crack Down: Slavs and Tatars on Curating the 33rd Ljubljana Biennial of Graphic Arts
DESCRIPTION:Hinko Smrekar\, Slovenian Art Exhibition\, c. 1910. © Narodna galerija\, Ljubljana.\n  \nThe art collective Slavs and Tatars will speak about their curatorial debut Crack Up-Crack Down: 33rd Ljubljana Biennial of Graphic Arts (June 7 – September 29\, 2019)\, which brought together 30 international and regional artists to explore the graphic language of satire. Founded in 1955\, The Ljubljana Biennial of Graphic Arts is the oldest biennial dedicated to the medium. In their talk at The Print Center\, Slavs and Tatars will highlight how they used the exhibition as a medium to literally and strategically refocused “the graphic” for the twenty-first century. \n  \nAbout the Artists \nSlavs and Tatars is an internationally renowned art collective devoted to an area East of the former Berlin Wall and West of the Great Wall of China known as Eurasia. Since its inception in 2006\, the collective has shown a keen grasp of polemical issues in society\, clearing new paths for contemporary discourse via a wholly idiosyncratic form of knowledge production: including popular culture\, spiritual and esoteric traditions\, oral histories\, modern myths\, as well as scholarly research. The collective’s practice is based on three activities: exhibitions\, publications and lecture-performances. Their work has been the subject of solo exhibitions at the Museum of Modern Art\, NY; Salt\, Istanbul; Vienna Secession\, Kunsthalle Zurich; Albertinum\, Dresden and Ujazdowski Centre for Contemporary Art\, Warsaw\, among others. Slavs and Tatars has published ten books to date\, including Wripped Scripped (Hatje Cantz\, 2018) on language politics as well as Molla Nasreddin (currently in its 2nd edition with I.B Tauris\, 2017)\, a translation of the legendary Azerbaijani satirical periodical. The collective’s focus on Eurasia challenges our often times one-dimensional way of seeing relationships between science\, religion\, power and identity. Their work is currently featured in the main exhibition “May You Live in Interesting Times\,” of the 58th Venice Biennale. Slavs and Tatars is represented by Tanya Bonakdar Gallery (NYC)\, Kraupa-Tuskany Zeidler (Berlin)\, Raster Gallery (Warsaw) and The Third Line (Dubai). \n  \nThis program is supported by John B. Hurford ’60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Haverford College. \nAll of The Print Center’s Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/crack-up-crack-down-slavs-and-tatars/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191025T173000
DTEND;TZID=America/New_York:20191025T190000
DTSTAMP:20260512T174734
CREATED:20190926T155242Z
LAST-MODIFIED:20191023T154839Z
UID:9249-1572024600-1572030000@printcenter.org
SUMMARY:Conversation + Book Signing with Henry Horenstein
DESCRIPTION:Join us for an evening with Henry Horenstein! The artist will discuss the work included in his exhibition at Swarthmore College on view until October 27\, including a series made in Cuba in 2000\, shown for the first time\, as well as upcoming projects. \nHorenstein will also sign copies of Henry Horenstein: Selected Works\, published by the List Gallery\, Swarthmore College\, in conjunction with the exhibition. The 60 page\, hard bound book includes tipped in images on the front and back covers\, 41 plates from the series “Animalia”\,” Humans” and “Cuba”\, with an essay by Andrea Packard in an edition of 300. \nThe book lists for $50\, but we will have 30 copies available at a special price of $40. Available for preorder here.
URL:https://printcenter.org/100/event/conversation-book-signing-with-henry-horenstein/
LOCATION:The Print Center\, 1614 Latimer Street\, Philadelphia\, PA\, 19103\, United States
CATEGORIES:book launch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191029T180000
DTEND;TZID=America/New_York:20191029T193000
DTSTAMP:20260512T174734
CREATED:20190910T211430Z
LAST-MODIFIED:20191011T213117Z
UID:9126-1572372000-1572377400@printcenter.org
SUMMARY:Book Launch with John Lehr
DESCRIPTION:In celebration of his publication The Island Position\, newly released by MACK books\, John Lehr will speak about the book and his practice with Peter Barberie\, The Brodsky Curator of Photographs\, Philadelphia Museum of Art. \n\nAs described by the publisher\, “The ‘Island Position’ is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In The Island Position\, John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant\, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads\, floor-to-ceiling decals of fanned money or flowing hair\, haphazard product displays\, and desperate\, hand-scrawled invitations. They repaint\, renovate\, rebrand\, and rearrange\, gestures which point to the desires and anxieties of people who are being left behind as our thumbs lead us into the new economy. The work presents a turning point in our cultural landscape: the transition from a physical culture to a virtual one.” \n  \nThe book is 112 pages and includes a short story by George Saunders. It will be available for purchase at the launch.  \n\nJohn Lehr received a BFA from the Maryland Institute College of Art and an MFA from Yale University. His work is included in the permanent collections of the Denver Art Museum; Yale University Art Gallery\, New Haven\, CT; Metropolitan Museum of Art\, Morgan Library and Museum and Museum of Modern Art\, all New York; and Center for Creative Photography\, Tucson\, AZ. Lehr has been reviewed widely\, in publications including Artforum\, Art in America\, Artinfo\, Artnews\, The Brooklyn Rail\, Collector Daily\, The New Yorker\, New York Magazine\, The New York Times and The Washington Post. His recent publications include newflesh (Gnomic Book: New York\, 2019)\, PhotoWork: Forty Photographers on Process and Practice (Aperture: New York\, 2019)\, Photography is Magic (Aperture: New York\, 2015) and The Pure Products of America Go Crazy (Center for Creative Photography: Tuscon\, 2015). He is the author of El Camino Real (Roman Nvmerals: New York\, 2016) and The Island Position (MACK: London\, 2018). \n  \nPeter Barberie is the Brodsky Curator of Photographs\, Alfred Stieglitz Center\, at the Philadelphia Museum of Art. He holds a B.A. from the University of Connecticut\, Storrs and an M.A. and Ph.D. in the history of photography and modern art from Princeton University. Since 2008 he has organized more than twenty-five exhibitions\, including Long Light: Photographs by David Lebe (2019)\, the first survey devoted to the American photographer; WILD: Michael Nichols (2017)\, a survey of Nichols’ photography of the natural world creatively installed with art on similar themes from across the Museum’s collection; Paul Strand: Master of Modern Photography (2014)\, an in-depth retrospective of Strand’s photography and films that traveled to several European venues; and Zoe Strauss: Ten Years (2012)\, a mid-career survey of Strauss’s photography and her closely related efforts at public engagement. His publications include Long Light: Photographs by David Lebe (2019); Paul Strand: Master of Modern Photography (2014); Zoe Strauss: Ten Years (2012); Dreaming in Black and White: Photography at the Julien Levy Gallery (2006); and Looking at Atget (2005) as well as an essay for the exhibition catalogue Charles Marville\, Photographer of Paris (ed. Sarah Kennel\, published by the National Gallery of Art: Washington with University of Chicago Press: Chicago\, 2013). \n\nAll of The Print Center’s Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/book-launch-with-john-lehr/
CATEGORIES:book launch
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