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X-WR-CALDESC:Events for The Print Center
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DTSTART;TZID=America/New_York:20191102T130000
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DTSTAMP:20260512T183402
CREATED:20190910T182407Z
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SUMMARY:Letterpress Workshop with Common Press
DESCRIPTION:Keith Carter\, How Can You Be So Sweet\, 2018\, pigment print\, edition of 5. Courtesy of the Artist\n  \n  \nMaster printer Mary Tasillo of Common Press\, the letterpress and book arts studio at the University of Pennsylvania\, leads an interactive\, hands-on workshop inspired by Whitman’s poetry. Spotlight talks on topics including the technique of letterpress and the history of Whitman as a printmaker will take place throughout the duration of the workshop. \nExhibition | Keith Carter: Seek & Find \nAll of The Print Center’s Exhibitions and Programs are free and open to the public.
URL:https://printcenter.org/100/event/letterpress-workshop-with-common-press/
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DTSTART;TZID=America/New_York:20191107T180000
DTEND;TZID=America/New_York:20191107T190000
DTSTAMP:20260512T183402
CREATED:20190910T192603Z
LAST-MODIFIED:20191031T153444Z
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SUMMARY:Performance by María Verónica San Martín
DESCRIPTION:María Verónica San Martín\, Dignidad\, 2019\, performance featuring Paloma Estevez and the artist at The Center for Book Arts\, New York. Courtesy of the Artist. Photo: Wonwoo Lee\n  \n  \nMaría Verónica San Martín performs a 30-minute endurance-driven performance in conjunction with her installation Dignidad featuring actress Yael Barnatan and music by Felipe Valenzuela. The performance features a musical composition based on audiotapes of conversations recorded at Colonia Dignidad the infamously isolated Chilean settlement\, founded in the 1960s by Nazi agents. \nExhibition | The Politics of Rhetoric \nAll of The Print Center’s Exhibitions and Programs are free and open to the public. \n  \n 
URL:https://printcenter.org/100/event/9092/
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DTSTART;TZID=America/New_York:20191113T180000
DTEND;TZID=America/New_York:20191113T190000
DTSTAMP:20260512T183402
CREATED:20190910T195027Z
LAST-MODIFIED:20191112T173730Z
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SUMMARY:Panel with Sharon Hayes\, Sarah McEneaney  and Keris Salmon
DESCRIPTION:Sharon Hayes\, Sarah McEneaney and Keris Salmon join Ksenia Nouril in conversation about their works within the context of the exhibition The Politics of Rhetoric. Topics will include approaches to history through archives and the role of the news media in their works. \n \n \n\n \n\n \n\n  \n\n  \nSharon Hayes (b. 1970\, Baltimore\, MD) is a Philadelphia-based multi-media artist\, whose work addresses the intersections of history\, art and politics through video\, performance\, photography and installation. She is Associate Professor of Fine Arts\, Weitzman School of Design\, University of Pennsylvania. \nSarah McEneaney (b. 1955\, Munich\, Germany) is a Philadelphia-based artist and community activist who is well known for creating intricately detailed and intimately autobiographical works. \nKeris Salmon (b. 1959\, New York\, NY) is a New York-based multimedia artist and award winning broadcast journalist whose work reckons with the legacies of both personal and collective histories. \n All of The Print Center’s Exhibitions and Programs are free and open to the public. \n\nImages: \nLeft: Sharon Hayes\, The Nature of the Beast\, Pussycat\, 2019. Published by the Brodsky Center at PAFA\, Philadelphia\, collaborating Master Printer: Peter Haarz. Courtesy of the Artist and the Brodsky Center at PAFA\, Philadelphia. Photo by Barbara Katus \nMiddle: Sarah McEneaney\, Untitled\, from the series “#wehavenopresident”\, 2016 – present. Courtesy of the Artist \nRight: Keris Salmon\, Dew and Damp\, from the series “We Have Made These Lands What They Are: The Architecture of Slavery\,” 2016-2017. Printed and produced by Sayre Gaydos and Peter Kruty at Peter Kruty Editions\, published by Sockeyelabs. Courtesy of the Artist and Arnika Dawkins Gallery\, Atlanta
URL:https://printcenter.org/100/event/panel-with-sharon-hayes-sarah-mceneaney-and-keris-salmon/
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