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SUMMARY:From Staffordshire to Providence- Special Lecture on Print and Transferware Ceramics with Andrew Raftery
DESCRIPTION:Andrew Raftery\, May: Cultivating Lettuce\, 2014\, Engraving transfer printed onto glazed white earthenware\, 13″ diameter.\nAndrew Raftery (Professor\, Printmaking) will speak about his new project which combines his proficiency in printmaking\, his interest in 19th Century English transferware and his obsession with gardening. Raftery’s printmaking process has always been exacting and exhaustive and he now brings these same qualities to ceramics. Using antique methods as his starting place\, he is working to develop a series of twelve ceramic plates illustrating a cycle of the gardener’s year. Presented as part of The Print Center 100.
URL:https://printcenter.org/100/event/from-staffordshire-to-providence-special-lecture-on-print-and-transferware-ceramics-with-andrew-raferty/
LOCATION:The Clay Studio\, 139 N 2nd St\, Philadelphia\, PA\, 19106\, United States
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SUMMARY:An-My Lê\, von Hess Visiting Artist Lecture
DESCRIPTION:BROOKLYN\, NEW YORK – SEPTEMBER 21: An-My Le is photographed on September 21\, 2012 in Brooklyn\, NY. (Photo by Matt Carr for Home Front Communications)\nAn-My Lê is an artist whose photographs of landscapes transformed by war or other forms of military activity blur the boundaries between fact and fiction and are rich with layers of meaning. A refugee from Vietnam and resident of the United States since 1975\, much of Lê’s work is inspired by her own experience of war and dislocation. Projects include “Viêt Nam” (1994–98)\, in which Lê’s memories of a war-torn countryside are reconciled with the contemporary landscape; “Small Wars” (1999–2002)\, in which Lê photographed and participated in Vietnam War reenactments in South Carolina; and”29 Palms” (2003–04)\, in which United States Marines preparing for deployment play-act scenarios in a virtual Middle East in the California desert. Suspended between the formal traditions of documentary and staged photography\, Lê’s work explores the disjunction between wars as historical events and the ubiquitous representation of war in contemporary entertainment\, politics\, and collective consciousness. \nDuring An-My Lê’s von Hess Visiting Artist Residency in the Borowsky Center for Publication Arts at the University of the Arts she will be creating an original offset print and speaking about her work. \nPresented as part of The Print Center 100.
URL:https://printcenter.org/100/event/an-my-le-von-hess-visiting-artist-lecture/
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