{"id":12832,"date":"2022-01-22T17:56:53","date_gmt":"2022-01-22T22:56:53","guid":{"rendered":"https:\/\/printcenter.org\/100\/?page_id=12832"},"modified":"2022-05-20T16:22:05","modified_gmt":"2022-05-20T20:22:05","slug":"96th-annual-solo-shows","status":"publish","type":"page","link":"https:\/\/printcenter.org\/100\/96th-annual-solo-shows\/","title":{"rendered":"96th ANNUAL International Competition Solo Exhibitions"},"content":{"rendered":"<div id=\"pl-12832\"  class=\"panel-layout\" ><div id=\"pg-12832-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-0-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"0\" ><div class=\"textwidget\"><h2><strong style=\"color: #000000;\">January 21 \u2014 March 12, 2022<\/strong><\/h2>\n<p><span style=\"color: #000000;\"><span style=\"color: #333333;\"><div class=\"row\"> <div class=\"col-md-6  \"><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">The Print Center is pleased to present three solo exhibitions awarded from the 96th ANNUAL International Competition \u2013 <em><strong>John Joyce: Jab, Cross,<\/strong> <strong>Hook<\/strong><\/em>, <strong><em>Vikesh Kapoor: See You at Home<\/em> <\/strong>and <strong><em>Donavon Smallwood: Languor \/ Beebe<\/em><\/strong>.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"font-family: Arial, sans-serif; color: #333333;\"><span style=\"color: #001177;\"><strong>Exhibition Resources<\/strong><\/span><\/h2>\n<h2><a href=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Press-Release_The-Print-Center-96th-ANNUAL-1.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #000000;\">Press Release<\/span><\/a><\/h2>\n<h2><a href=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2022\/01\/96th-Annual-Gallery-Notes-web.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #000000;\"><strong>Gallery Notes <\/strong><\/span><\/a><\/h2>\n<p><span style=\"color: #f25900;\"><span style=\"color: #000000;\"><\/div><div class=\"col-md-6  \"><\/span><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12833 aligncenter\" src=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2022\/01\/96th-Annual-Postcard-Front.png\" alt=\"\" width=\"420\" height=\"300\" srcset=\"https:\/\/printcenter.org\/100\/wp-content\/uploads\/2022\/01\/96th-Annual-Postcard-Front.png 1008w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2022\/01\/96th-Annual-Postcard-Front-300x214.png 300w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2022\/01\/96th-Annual-Postcard-Front-768x549.png 768w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-1-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"textwidget\"><div class=\"hrule clearfix\" style=\"background:#b2b2b2; height:1px\"><\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-2-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child\" data-index=\"2\" ><div class=\"textwidget\"><figure id=\"attachment_12807\" class=\"thumbnail wp-caption alignleft\" style=\"width: 294px\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12807\" style=\"font-weight: bold;\" src=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web.jpg\" alt=\"\" width=\"294\" height=\"300\" srcset=\"https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web.jpg 1959w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web-294x300.jpg 294w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web-1003x1024.jpg 1003w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web-768x784.jpg 768w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/joyce__john1-web-1505x1536.jpg 1505w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><figcaption class=\"caption wp-caption-text\">John Joyce, <em>Judith \"La Peligrosa\" Rodriguez, Boxer. Mexico City<\/em>, 2020, from the series \u201cGimnasio Nuevo Jordan\"<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"mceTemp\"><\/div>\n<\/div><\/div><div id=\"panel-12832-2-0-1\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-last-child\" data-index=\"3\" ><div class=\"textwidget\"><p><span style=\"color: #800000;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/vimeo.com\/manage\/videos\/685493015\" target=\"_blank\" rel=\"noopener\"><strong>Watch Joyce's Artist Talk<\/strong><\/a><\/span><\/span><\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/685493015?h=a7d51d3755&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<\/div><\/div><\/div><div id=\"pgc-12832-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-2-1-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"textwidget\"><h5><span style=\"color: #001177; font-size: 18pt;\">John Joyce: Jab, Cross, Hook<\/span><\/h5>\n<p><span style=\"color: #000000;\">For photographer <strong>John Joyce<\/strong>, form and content go hand in hand. His intimate platinum palladium portraits are as technically adept as they are conceptually rigorous. The works in <em>Jab, Cross, Hook<\/em> are drawn from three series: \u201cGimnasio Nuevo Jordan,\u201d \u201cPhiladelphia\u201d and \u201cMexican Portraits\u201d and are presented in a variety of ways \u2013 matted and framed, designed for final presentation by the artist, unframed and, in some cases, unmatted. By stripping the works of their final armatures, this exhibition unveils the intricacies of Joyce\u2019s analog process, revealing the painterly \u2013 almost playful \u2013 brushstrokes of emulsion on the\u00a0 paper. This emulsion is more than a substrate. It is the foundation at the core of each, often stoic, portrait. <\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cGimnasio Nuevo Jordan\u201d began over five years ago, when Joyce himself started training at a gym in Mexico City. \u201cWhat immediately\u00a0 struck me was the camaraderie among the boxers and their trainers as well as the families and friends who would accompany them to watch. Although closely integrated . . . this tightknit community welcomed me and my camera,\u201d says Joyce. The gym, which has produced a number of champion fighters, is more than just a training ground. It is a second home for these men \u2013 and occasionally women. Through subsequent visits to the gym, Joyce has followed the careers of a\u00a0 number of boxers, some of which have sadly ended in death. <\/span><\/p>\n<p><span style=\"color: #000000;\">Each portrait is taken in ambient light after a boxer has finished training. The title of the exhibition \u2013 <em>Jab, Cross, Hook<\/em> \u2013 refers directly to types of punches. \u201cRather than photographing the boxers in motion, I use these moments of exhausted repose to portray their dedication to the honing of their bodies and craft, and their dignity in the pursuit of glory and social ascendency despite the slim chance of attainment,\u201d says Joyce. The artist employs similar parameters in his series titled \u201cPhiladelphia,\u201d also portraits of boxers, as well as in the series \u201cMexican Portraits,\u201d comprised of recent portraits taken in Mexico. <\/span><\/p>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-3-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"textwidget\"><div class=\"hrule clearfix\" style=\"background:#b2b2b2; height:1px\"><\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-4-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child\" data-index=\"6\" ><div class=\"textwidget\"><figure id=\"attachment_12809\" class=\"thumbnail wp-caption alignleft\" style=\"width: 300px\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12809\" src=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-scaled.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-scaled.jpg 2560w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-300x199.jpg 300w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-1024x680.jpg 1024w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-768x510.jpg 768w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-1536x1020.jpg 1536w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/pool-2048x1360.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"caption wp-caption-text\">Vikesh Kapoor, <em>Our Childhood Swimming Pool<\/em>, 2016, from the series \u201cSee you at Home\"<\/figcaption><\/figure>\n<\/div><\/div><div id=\"panel-12832-4-0-1\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-last-child\" data-index=\"7\" ><div class=\"textwidget\"><p><span style=\"color: #800000;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/vimeo.com\/674591822\" target=\"_blank\" rel=\"noopener\"><strong>Watch Kapoor's Artist Talk<\/strong><\/a><\/span><\/span><\/p>\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/674591822?h=e795771d8a&title=0&byline=0&portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<\/div><\/div><\/div><div id=\"pgc-12832-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-4-1-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"8\" ><div class=\"textwidget\"><h5><span style=\"color: #001177; font-size: 18pt;\">Vikesh Kapoor: See You at Home<\/span><\/h5>\n<p><em>See You at Home<\/em> is an exhibition of works from <strong>Vikesh Kapoor\u2019s<\/strong> ongoing series of the same name. The works are, in the artist\u2019s own words, \u201ca personal narrative that centers on family, memory and the myth and melancholy surrounding the American Dream.\u201d It revolves around his parents, Shailendra and Sarla Kapoor, who emigrated from India to the United States in the early 1970s. They built their new lives \u2013 their family of four and their careers as physicians \u2013 in a small, rural Pennsylvania town of about 10,000 people, where they were one of just a few immigrant families. The town was, and remains, predominantly white and conservative. The Kapoors, now retired and growing older are becoming increasingly isolated as their children have moved far from home.<\/p>\n<p>Kapoor turns his lens on his parents, photographing them in and around their home, capturing some of the most intimate \u2013 if not banal \u2013 moments of their everyday lives. The everyday plays a critical role in Kapoor\u2019s work. In valorizing the vernacular, he underscores the great lengths taken by his parents as immigrants to assimilate into local culture.<\/p>\n<p>Kapoor\u2019s interest in his family began fifteen years ago, while traveling to India with his father. \u201cQuestions of family, identity and personal history were born out of that trip and continue to inform my work today,\u201d he says. The contemporary photographs in this series are paired, often side-by-side, with snapshots from his parent\u2019s family albums amassed over the course of many years and great distances. Kapoor sutures images across space and time, creating dialogues between them. The series reflects upon the slow but steady passage of time and the process of \u201cbecoming\u201d that one experiences whenever fashioning a new identity.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-5-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"textwidget\"><div class=\"hrule clearfix\" style=\"background:#b2b2b2; height:1px\"><\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-6-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child\" data-index=\"10\" ><div class=\"textwidget\"><figure id=\"attachment_12808\" class=\"thumbnail wp-caption alignleft\" style=\"width: 237px\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12808\" src=\"http:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Untitled-2020_16-x-20.jpg\" alt=\"\" width=\"237\" height=\"300\" srcset=\"https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Untitled-2020_16-x-20.jpg 1012w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Untitled-2020_16-x-20-237x300.jpg 237w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Untitled-2020_16-x-20-810x1024.jpg 810w, https:\/\/printcenter.org\/100\/wp-content\/uploads\/2021\/12\/Untitled-2020_16-x-20-768x971.jpg 768w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><figcaption class=\"caption wp-caption-text\">Donavon Smallwood, <em>Untitled<\/em>, 2020, from the series \u201cLanguor\u201d<\/figcaption><\/figure>\n<\/div><\/div><div id=\"panel-12832-6-0-1\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-last-child\" data-index=\"11\" ><div class=\"textwidget\"><p><a href=\"https:\/\/vimeo.com\/676990070\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\"><span style=\"color: #000000;\"><strong>Watch Smallwood's Artist Talk<\/strong><\/span><\/span><\/a><\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/676990070?h=23e7e7f1fb&amp;title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<\/div><\/div><\/div><div id=\"pgc-12832-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-6-1-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"12\" ><div class=\"textwidget\"><h5><span style=\"color: #001177; font-size: 18pt;\">Donavon Smallwood: Languor \/ Beebe<\/span><\/h5>\n<p><strong>Donavon Smallwood\u2019s<\/strong> exhibition brings together photographs from his two major bodies of work: \u201cLanguor,\u201d which was recently published as the <a href=\"https:\/\/printcenterstore.myshopify.com\/collections\/shop-all-items\/products\/languor\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #001177;\">artist\u2019s first monograph<\/span><\/a>; and \u201cBeebe,\u201d a new project in the early stages of development. This is the first exhibition of \u201cBeebe.\u201d<\/p>\n<p>Smallwood, a self-taught photographer, has been recently recognized for \u201cLanguor,\u201d which was shot in Central Park, New York during the pandemic. The series comprises black-and-white portraits alongside closely cropped landscape images. A life-long resident of Harlem, Smallwood turned to the park as a refuge in the difficult days of lockdown and isolation due to COVID. However, it was not the bucolic landscape that drew his attention in the park, but the people within it \u2013 both neighbors and passersby. It was important to Smallwood for his sitters to feel comfortable \u2013 at home. \u201cIts [\u201cLanguor\u2019s\u201d] subject is what it\u2019s like to be a Black person in nature,\u201d says Smallwood. Picturing Black people in this context references the history of Seneca Village, a 19th century Black community at the heart of what is now Central Park. \u201cLanguor\u201d is influenced by that history as well as the artist\u2019s own interest in the Romantic poet and artist William Blake, who is known for his transcendental works.<\/p>\n<p>Smallwood more pointedly explores the notion of home in his new series \u201cBeebe.\u201d It is sited at the ruins of Beebe Chapel \u2013 a Methodist church, originally located behind his grandmother\u2019s house in the town of Washington on the coast of North Carolina. The artist considers this location to be the genesis of the paternal side of his family. Thus, the series is a family portrait, capturing the people, places and things still inhabiting this auratic land today.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"pg-12832-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-12832-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-12832-7-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child\" data-index=\"13\" ><div class=\"textwidget\"><div class=\"hrule clearfix\" style=\"background:#b2b2b2; height:1px\"><\/div>\n<\/div><\/div><div id=\"panel-12832-7-0-1\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-last-child\" data-index=\"14\" ><div class=\"textwidget\"><h2 style=\"font-family: Arial, sans-serif; color: #333333;\"><span style=\"color: #001177;\"><strong>Programs<\/strong><\/span><\/h2>\n<p><span style=\"color: #000000;\"><strong><span style=\"color: #001177;\"><a style=\"color: #001177;\" href=\"https:\/\/vimeo.com\/674591822\" target=\"_blank\" rel=\"noopener\">Artist Talk with Vikesh Kapoor<\/a><\/span><br \/>\n<\/strong><strong>Thursday, January 27, 6pm (ET) | Presented on Zoom<br \/>\n<\/strong><a href=\"https:\/\/vimeo.com\/674591822#embed\" target=\"_blank\" rel=\"noopener\">Watch the recorded talk<\/a><br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong><span style=\"color: #001177;\"><a style=\"color: #001177;\" href=\"https:\/\/vimeo.com\/676990070\" target=\"_blank\" rel=\"noopener\">Artist Talk with Donavon Smallwood<\/a><\/span><br \/>\n<\/strong><strong>Thursday, February 10, 6pm (ET) | Presented on Zoom<br \/>\n<\/strong><a href=\"https:\/\/vimeo.com\/676990070\" target=\"_blank\" rel=\"noopener\">Watch the recorded talk<\/a><br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong><span style=\"color: #001177;\"><a style=\"color: #001177;\" href=\"https:\/\/vimeo.com\/685493015\" target=\"_blank\" rel=\"noopener\">Artist Talk with John Joyce<\/a><\/span><br \/>\n<\/strong><strong>Thursday, March 3, 6pm (ET) | Presented on Zoom<br \/>\n<\/strong><a href=\"https:\/\/vimeo.com\/685493015\" target=\"_blank\" rel=\"noopener\">Watch the recorded talk<\/a><\/span><\/p>\n<p><a href=\"https:\/\/theprintcenter.ticketleap.com\/guided-tours-96th\/details\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #001278;\"><strong>Guided Tours of the Exhibitions<\/strong><\/span><\/a><br \/>\n<span style=\"color: #000000;\"><strong>Wednesday, February 9, 12pm<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Friday, February 25, 5pm<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Wednesday, March 9, 12pm<\/strong><br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 11pt;\"><strong><span style=\"color: #001177;\"><a style=\"color: #001177;\" href=\"http:\/\/printcenter.org\/100\/event\/closing-reception-96th-annual-solo-exhibitions\/\" target=\"_blank\" rel=\"noopener\">Closing Reception<\/a><\/span><br \/>\n<\/strong><\/span><span style=\"color: #000000;\"><strong>Saturday, March 12, 3 \u2013 6pm<\/strong><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>January 21 \u2014 March 12, 2022<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-12832","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/12832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/comments?post=12832"}],"version-history":[{"count":20,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/12832\/revisions"}],"predecessor-version":[{"id":13188,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/12832\/revisions\/13188"}],"wp:attachment":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/media?parent=12832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}