{"id":12902,"date":"2022-03-21T16:41:18","date_gmt":"2022-03-21T20:41:18","guid":{"rendered":"https:\/\/printcenter.org\/100\/?page_id=12902"},"modified":"2023-01-24T17:12:55","modified_gmt":"2023-01-24T22:12:55","slug":"97th-annual","status":"publish","type":"page","link":"https:\/\/printcenter.org\/100\/97th-annual\/","title":{"rendered":"97th ANNUAL International Competition"},"content":{"rendered":"

\"\"<\/p>\n

The ANNUAL<\/strong> is one of the oldest and most prestigious competitions in the United States. Open to local, national and international artists, The Print Center is particularly interested in highlighting the use of photography and\/or printmaking in new and intriguing ways, both in content and process.<\/span><\/p>\n

Jurors<\/span>\u00a0<\/span><\/strong><\/p>\n

Dr. Makeda Best<\/strong> is the Richard L. Menschel Curator of Photography and Interim Head, Division of Modern and Contemporary Art at the Harvard Art Museums.<\/p>\n

Curlee Raven Holton<\/strong> is the Executive Director of the David C. Driskell Center at the University of Maryland and The David M. and Linda Roth Professor of Art, emeritus, at Lafayette College, Easton, PA where he founded the Experimental Printmaking Institute.<\/p>\n<\/div><\/div><\/div><\/div>

Congratulations to the 25 Semifinalists and 10 Finalists!<\/span><\/h2>\n
\n

Finalists<\/strong><\/span><\/p>\n

Midori Harima<\/span>
\nJayne Reid Jackson<\/span>
\nSarah Kabot<\/span>
\nBrian Kreydatus<\/span>
\nCheryl Mukherji<\/span>
\nNicholas <\/span>Roberts<\/span>
\nMar\u00eda Ver\u00f3nica San Mart\u00edn<\/span>
\nStephanie Santana<\/span>
\nLihie Talmor<\/span>
\nIdalia Vasquez<\/span><\/p>\n

<\/div>

<\/span>Semifinalists<\/strong><\/span><\/p>\n

Ruthie Abel<\/span>
\nNoah Addis<\/span>
\nCraig J. Barber<\/span>
\nCodi Barbini<\/span>
\nJillian Browning<\/span>
\nJessica Buie<\/span>
\nMadison Cooper<\/span>
\nPhilip Crawford<\/span>
\nMehdi Darvishi<\/span>
\nAugust Felix Heid<\/span>
\nCooper Holoweski<\/span>
\nMatthew Kamholtz<\/span>
\nColleen Keihm<\/span><\/p>\n

<\/div>

<\/span><\/p>\n

Sharon Koelblinger<\/span>
\nRay Koh<\/span>
\nHyejeong Kwon<\/span>
\nEmily Legleitner<\/span>
\nToni Pepe<\/span>
\nAndrew Polk<\/span>
\nEndi Poskovic<\/span>
\nHeather Rasmussen<\/span>
\nJason Reblando<\/span>
\nEduardo L. Rivera<\/span>
\nTerry Schupbach-Gordon<\/span>
\nVaune Trachtman<\/span><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>

Watch previous award winners discuss
\ntheir experiences with the ANNUAL:<\/span><\/a><\/strong><\/span>\"\"<\/a><\/p>\n<\/div><\/div><\/div><\/div>

ABOUT THE JURORS<\/span><\/h1>\n<\/div><\/div><\/div>
<\/div><\/div>

Dr. Makeda Best<\/strong> is the Richard L. Menschel Curator of Photography at the Harvard Art Museums, Cambridge, MA. Her scholarly interests focus on 19th and 20th century American photography, with a special interest in photojournalism, documentary, war photography and text and image works. Recent exhibitions include Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art<\/em> and Winslow Homer: Eyewitness<\/em> and Time is Now: Photography and Social Change in James Baldwin\u2019s America<\/em>. Her book Elevate the Masses: Alexander Gardner, Photography and Democracy<\/em> was published in 2020 by the Pennsylvania State University Press. The subject of her current book project is American landscape photography. Best holds a BA from Barnard College, New York, a BFA and an MA from California Institute of the Arts, Santa Clarita, and an MA and PhD from Harvard University.<\/span><\/p>\n<\/div><\/div><\/div>