{"id":1753,"date":"2015-07-24T13:30:36","date_gmt":"2015-07-24T17:30:36","guid":{"rendered":"https:\/\/printcenter.org\/100\/?page_id=1753"},"modified":"2026-05-01T13:46:14","modified_gmt":"2026-05-01T17:46:14","slug":"past-exhibitions","status":"publish","type":"page","link":"https:\/\/printcenter.org\/100\/past-exhibitions\/","title":{"rendered":"Past Exhibitions"},"content":{"rendered":"

2025<\/a> | 2024<\/a> | 2023<\/a> |<\/span> 2022<\/a> | 2021<\/a> | 2020 <\/a>| 2019 <\/a>| 2018 <\/a>| 2017 <\/a>| 2016<\/a> | 2015<\/a> | 2014 and earlier<\/a><\/strong><\/span><\/strong><\/span><\/strong><\/span><\/p>\n<\/div><\/div><\/div>

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2026<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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Glen Baldridge: The Pond<\/strong><\/a>
\nMary Enoch Elizabeth Baxter: Epilogues of the Black Madonna<\/strong><\/a>
\nAdi Sundoro: Seeking Into The Folds<\/strong><\/a><\/p>\n

January 23 \u2014 April 4, 2026<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

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2025<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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Nazanin Noroozi: False Dawn<\/b><\/span><\/a>
\n<\/span>Memory, Loss<\/strong><\/a><\/span><\/p>\n

September 12 \u2013 November 22, 2025<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Cecilia Paredes: By my side or back of me<\/span><\/a><\/strong><\/p>\n

April 18 \u2014 July 19, 2025<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Alanna Airitam: Black Diamonds: The Black Outlaw Bikers<\/strong><\/a>
\nWilliam Camargo: The Sense of Brown<\/strong><\/a>
\nJuana Estrada Hern\u00e1ndez: !Echale Ganas!<\/strong><\/a><\/p>\n

January 24 \u2014 April 5, 2025<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

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2024<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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ULAE: Prints for a New Generation<\/b><\/a><\/p>\n

September 13 \u2013 November 23, 2024<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Nancy Hellebrand: EVERYBODYBEAUTIFUL<\/a><\/strong>
\nStephanie Santana: Ways of Knowing<\/a><\/strong>
\nMartie Zelt: Land Strider<\/a><\/strong><\/p>\n

April 19 \u2013 July 20, 2024<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Gary Burnley: Caste<\/a><\/strong>
\nRanran Fan: Pressing Matters \u6309\u538b\u5373\u53ef<\/a><\/strong>
\nNatalia Mej\u00eda Murillo: Between Emergency and Imminence<\/a><\/strong><\/p>\n

January 19 \u2014 March 30, 2024<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

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2023<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Raque Ford: Where do I start?
\nKat Richards: Shapes of Change<\/b><\/span><\/a><\/p>\n

September 8 \u2013 November 11, 2023<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

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Rodrigo Valenzuela: Workforce<\/strong><\/a><\/span><\/p>\n

April 15 \u2014 July 15, 2023<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Cheryl Mukherji: Ghorer Bairer Aalo (The Light Outside Home)<\/strong><\/a>
\nMar\u00eda Ver\u00f3nica San Mart\u00edn: Geology of Memory \/ Geolog\u00eda de la Memoria<\/a>
\nIdalia Vasquez-Achury: Mind of Winter<\/a><\/p>\n

<\/strong><\/span><\/p>\n

January 20 \u2014 March 25, 2023<\/span><\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

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2022<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Ukrainian Photography Today
\nA Kaleidoscopic View: Recent Prints from Graphicstudio<\/b><\/span><\/a><\/p>\n

September 16 \u2014 November 12, 2022<\/span><\/p>\n

 <\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

A Brand New End: Survival and Its Pictures<\/b><\/span><\/a>
\nCarmen Winant<\/strong><\/span><\/p>\n

April 15 \u2014 July 16, 2022<\/span><\/p>\n

Press Release<\/a><\/span><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

John Joyce: Jab, Cross, Hook<\/b><\/span><\/a>
\nVikesh Kapoor: See You at Home<\/strong><\/a>
\nDonavon Smallwood: Languor \/ Beebe<\/strong><\/a><\/span><\/p>\n

January 21 \u2014 March 12, 2022<\/span><\/p>\n

Press Release<\/a><\/span><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2021<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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Back and Forth: The Space in Between<\/b><\/a><\/span><\/p>\n

September 24 \u2014 November 13, 2021<\/span><\/p>\n

Press Release<\/a><\/span><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Anastasia Samoylova: FloodZone<\/a> <\/b><\/span><\/p>\n

September 24 \u2014 November 13, 2021<\/span><\/p>\n

Press Release<\/a><\/span><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Qiaoyi Shi: Birthday Party<\/a><\/strong>
\nGallery Store Feature Exhibition<\/p>\n

July 8 \u2014 August 27, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Fit to Print<\/b><\/span><\/a><\/p>\n

May 1 \u2014 June 30, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Kevin Claiborne: Before I Died I Was Invisible<\/b><\/span><\/a><\/p>\n

February 1 \u2014 April 30, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Dawn Kim: Half Rest<\/b><\/span><\/a><\/p>\n

February 1 \u2014 April 30, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

David Rothenberg: Landing Lights Park<\/b><\/span><\/a><\/p>\n

February 1 \u2014 April 30, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n

 <\/p>\n<\/div><\/div><\/div>

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2020<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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(Un)Making Monuments<\/strong><\/span><\/a><\/p>\n

September 30 \u2014 December 30, 2020<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Windows on Latimer<\/b><\/span><\/a><\/p>\n

August 2020 \u2014 June, 2021<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Miguel A. Arag\u00f3n: Indices of Silence\/\u00cdndices del silencio<\/strong><\/span><\/a><\/p>\n

January 17 \u2014 March 13, 2020<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

Young Sun Han: The Unforever Parallel<\/strong><\/span><\/a><\/p>\n

January 17 \u2014 March 13, 2020<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a>
\u00a0<\/figcaption><\/figure>\n<\/div><\/div><\/div>
<\/div><\/div>

Ron Tarver: An Overdue Conversation With My Father<\/strong><\/span><\/a><\/p>\n

January 17 \u2014 March 13, 2020<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a>
\u00a0<\/figcaption><\/figure>\n<\/div><\/div><\/div>
<\/div><\/div>

2019<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

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Keith Carter: Seek & Find<\/strong><\/a><\/p>\n

September 13 \u2014 November 16, 2019<\/p>\n

Press Release<\/a><\/p>\n

 <\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

The Politics of Rhetoric<\/strong><\/a><\/p>\n

September 13 \u2014 November 16, 2019<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

James Siena: Resonance Under Pressure<\/strong><\/a><\/p>\n

April 19 \u2014 July 27, 2019<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

New Typographics: Typewriter Art as Print<\/strong><\/a><\/p>\n

April 19 \u2014 July 27, 2019<\/p>\n

Press Release<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

 
\n 
\nRafael Soldi: CARGAMONT\u00d3N<\/strong><\/p>\n

January 18 \u2014 March 30, 2019<\/p>\n

Press Release<\/a><\/p>\n

View Full Exhibition Page<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

 
\n 
\nJason Urban & Leslie Mutchler: Long Lost Friend<\/strong><\/p>\n

January 18 \u2014 March 30, 2019<\/p>\n

Press Release<\/a><\/p>\n

View Full Exhibition Page<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

 
\n 
\nChinn Wang: Soaking Up Local Color<\/strong><\/p>\n

January 18 \u2014 March 30, 2019<\/p>\n

Press Release<\/a><\/p>\n

View Full Exhibition Page<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2018<\/h3>

.<\/span><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

 
\n 
\nLauren Pakradooni: Static Slip<\/strong><\/p>\n

September 14 \u2014 November 10, 2018<\/p>\n

Press Release<\/a><\/p>\n

View Full Exhibition Page<\/a><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

 
\n 
\nRochelle Toner: Tying a Knot in a Cherry Stem<\/strong><\/p>\n

September 14 \u2014 November 10, 2018<\/p>\n

Press Release<\/a><\/p>\n

View Full Exhibition Page<\/a><\/p>\n<\/div><\/div><\/div>