{"id":2339,"date":"2015-12-02T17:03:53","date_gmt":"2015-12-02T22:03:53","guid":{"rendered":"https:\/\/printcenter.org\/100\/?page_id=2339"},"modified":"2026-06-01T12:50:38","modified_gmt":"2026-06-01T16:50:38","slug":"in-the-news","status":"publish","type":"page","link":"https:\/\/printcenter.org\/100\/in-the-news\/","title":{"rendered":"In The News"},"content":{"rendered":"

<\/h2>\n

2026<\/a><\/span>\u00a0| 2025<\/a><\/span>\u00a0|\u00a02024<\/a><\/span> |\u00a02023<\/a><\/span> |\u00a02022<\/a><\/span> | 2021<\/a><\/span> | 2020<\/a> <\/span>| 2019<\/a><\/span> | 2018<\/a><\/span> | 2017<\/a> <\/span>| 2016<\/a><\/span> | 2015<\/span><\/a> | 2014<\/a><\/span><\/h2>\n<\/div><\/div><\/div><\/div>

2026<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Thomas Eakins is considered one of the most important American artists. Another Philly artist is protesting his legacy. <\/span><\/strong><\/em><\/a><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

The Print Center presents its 100th ANNUAL
\nInternational Competition<\/span><\/strong><\/em><\/a><\/p>\n

Broad Street Review<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

The future of food is at Philadelphia\u2019s Print Center. It\u2019s a taco<\/span><\/strong><\/em><\/a><\/p>\n

WHYY<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2025<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Why Memories Matter<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

Artists Head for the Borders<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

<\/div>
<\/div><\/div>

2024<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Nancy Hellebrand: EVERYBODYBEAUTIFUL<\/a><\/em><\/strong><\/span><\/p>\n

Mus\u00e9e Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Nancy Hellebrand, Challenging Beauty, in \u2018EVERYBODYBEAUTIFUL\u2019<\/a><\/em><\/strong><\/span><\/p>\n

Artblog<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Gary Burnley: Caste<\/a><\/em> in \"Things to Do\" Newsletter<\/a><\/strong><\/span><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Collages at Philly\u2019s Print Center reimagine race and portraiture<\/a><\/em><\/strong><\/span><\/p>\n

WHYY<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

2023<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

A Brand New End: Survival and Its Pictures<\/a><\/em><\/strong><\/span><\/p>\n

Vince Leo<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Roberta Fallon on \"Workforce\"<\/a><\/em><\/strong><\/span><\/p>\n

Artblog newsletter<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Artist Rodrigo Valenzuela puts a focus on immigration, labor and privilege in latest exhibition<\/a><\/em><\/strong><\/span><\/p>\n

Metro Philadelphia<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Machines Dream in a Post-Worker World<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Photo of the Week #243: Rodrigo Valenzuela<\/a><\/em><\/span><\/strong><\/p>\n

Laurence Miller Gallery<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Carmen Winant: A Brand New End: Survival and Its Pictures<\/a><\/em><\/span><\/strong><\/p>\n

Lenscratch<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Light Outside Home, and Other Works on Trauma and Memory<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Mar\u00eda Ver\u00f3nica San Mart\u00edn Exhibits Geology of Memory at The Print Center<\/a><\/em><\/span><\/strong><\/p>\n

Revista Materia<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

2022<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

The Ten Best Art Books of 2022<\/a><\/em><\/span><\/strong><\/p>\n

The Brooklyn Rail<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

5 of the Best Photography Books of 2022<\/a><\/em><\/span><\/strong><\/p>\n

Cultured Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Print Center Releases Carmen Winant's Book on the Crisis of Domestic Violence and the Urgency to Act<\/a><\/em><\/span><\/strong><\/p>\n

Widewalls<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

How Prints and Photography Shaped the Women's Movement<\/a><\/em><\/span><\/strong><\/p>\n

Surface<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Book of the Week: Party Pictures<\/a><\/em><\/span><\/strong><\/p>\n

photo-eye<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Pictures at Work<\/a><\/em><\/span><\/strong><\/p>\n

The New York Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Many Faces of Ukrainian Photography Today<\/a><\/em><\/span><\/strong><\/p>\n

Hyperallergic<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

A Brand New End: Survival and Its Pictures<\/a><\/em><\/span><\/strong><\/p>\n

College Art Association<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Everyday Life in Not-So-Everyday Scenes<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Where to See Art in Philly This Summer<\/a><\/em><\/span><\/strong><\/p>\n

Philadelphia Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Women's (Liberation) Work<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

A CCA alum helps picture a new ending for survivors<\/a><\/em><\/span><\/strong><\/p>\n

California College of the Arts<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Exhibition Review: Carmen Winant: A Brand New End: Survival and Its Pictures<\/a><\/em><\/span><\/strong><\/p>\n

Mus\u00e9e Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Carmen Winant Mines a Visual Archive of Survival<\/a><\/em><\/span><\/strong><\/p>\n

Whitewall<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Carmen Winant animates the archives of two support organisations for victims of domestic abuse<\/em><\/a><\/span><\/strong><\/p>\n

British Journal of Photography<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Historic Philadelphia gallery hosts Ohio State art professor\u2019s work<\/em><\/a><\/span><\/strong><\/p>\n

Ohio State News<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

A Carmen Winant Show Devoted to Survival and Empowerment<\/em><\/a><\/span><\/strong><\/p>\n

The New York Times Style Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

This Week in Photography: Keeping It Real<\/em><\/a><\/span><\/strong><\/p>\n

aPhotoEditor<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
<\/div><\/div>

2021<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Lisa Blas + Ksenia Nouril [The Print Center]<\/em><\/a><\/span><\/strong><\/p>\n

Mus\u00e9e Magazine <\/a>
\npdf<\/a><\/strong><\/span><\/p>\n<\/div><\/div><\/div>

Deserts, believers, and flying too close<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Dis-Located Gallery: The Effects of 2020 on Philadelphia\u2019s Galleries<\/em><\/a><\/span><\/strong><\/p>\n

Philly Stewards<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2020<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

A sliver of tropical Puerto Rico blooms on snowy Latimer Street<\/a><\/em><\/span><\/strong><\/p>\n

WHYY<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

A monumental re-think<\/em><\/a><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Art World at Home: Curator Ksenia Nouril<\/a><\/em><\/span><\/strong><\/p>\n

Artnet News<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

William Earle Williams: Party Pictures<\/a><\/em><\/span><\/strong><\/p>\n

The Eye of Photography<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Art Watch Radio Podcast with Ksenia Nouril on March 4, 2020<\/a><\/span><\/strong><\/p>\n

Art Watch Radio Podcast<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

William Earle Williams Party Pictures<\/a><\/em><\/span><\/strong><\/p>\n

All About Photo<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

View from the outside<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Violence in Ciudad Ju\u00e1rez: An artist\u2019s response<\/a><\/em><\/span><\/strong><\/p>\n

AL D\u00cdA <\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

These are the Philly art gallery shows you\u2019ll want to check out this spring<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Video interview with Miguel A. Arag\u00f3n<\/em><\/span><\/strong><\/p>\n

Philatinos Radio<\/p>\n<\/div><\/div><\/div>

Fort Gibson native's photos part of international exhibition<\/a><\/em><\/span><\/strong><\/p>\n

Muskogee Phoenix<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2019<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Q&A: Ksenia Nouril<\/a><\/em><\/span><\/strong><\/p>\n

Strange Fire<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

What's New What's Next<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Art of all sorts, from wall to floor<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Reviews, Rafael Soldi<\/a><\/em><\/span><\/strong><\/p>\n

ArtNexus<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Things To Do<\/a><\/em><\/span><\/strong><\/p>\n

WHYY<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Our Picks<\/a><\/em><\/span><\/strong><\/p>\n

artblog<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Saleem Ahmed and the male gaze<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Archiving Tomorrow\u2019s History<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Gay News<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div><\/div>

New Typographics: Typewriter Art as Print<\/a><\/em><\/span><\/strong><\/p>\n

ETCetera<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Can't Miss Art Stars<\/a><\/em><\/span><\/strong><\/p>\n

Where Traveler Philadelphia<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The quick brown fox becomes an artist<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Pressure and resonance at the Print Center with James Siena and artists who type<\/em><\/a><\/span><\/strong><\/p>\n

artblog<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Typewriter as muse<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Ruptured Histories: Chinn Wang at The Print Center<\/a><\/em><\/span><\/strong><\/p>\n

Art in Print<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

How (and when) to buy art on the cheap in Philadelphia<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

Chinn Wang Conceals and Reveals Her Family's Hidden History<\/a><\/em><\/span><\/strong><\/p>\n

Humble Arts Foundation<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Critics' Picks, Rafael Soldi: CARGAMONT\u00d3N <\/a><\/em><\/span><\/strong><\/p>\n

Artforum<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Brought to you in living color | A mother, in shadow<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Snapshot jackpot: Three fascinating photo shows to catch in Philly this month | a mother, in shadow<\/a><\/em><\/span><\/strong><\/p>\n

Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Reflecting on Childhood: Aggression and Intimacy at the Playground<\/em><\/a><\/span><\/strong><\/p>\n

LensCulture<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

2018<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Rochelle Toner: Layers of Mark and Meaning<\/a><\/em><\/span><\/strong><\/p>\n

SGCI Graphic Impressions<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

In Philadelphia galleries: A former Temple dean gets her close-up<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Collaborative Histories: Dieu Donn\u00e9<\/a><\/span><\/em><\/strong><\/p>\n

Hand Papermaking<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Becoming a Specter: Daniel W. Coburn's Photographs Present a Shadowy Image of Fear, Longing and Self Preservation<\/a><\/em><\/span><\/strong><\/p>\n

Humble Arts Foundation <\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Hiding in Plain Sight, Daniel W. Coburn\u2019s \u201cBecoming a Specter\u201d at the Print Center<\/a><\/em><\/span><\/strong><\/p>\n

artblog<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Print Center 92nd ANNUAL honorees: Daniel W. Coburn, Julie Anne Greenberg, Jacob Koestler<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Andrea Modica\u2019s \u2018January 1\u2019, It's a man's world<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Mummers off Broad: New book of photos documents a decade of wenches<\/a><\/em><\/span><\/strong><\/p>\n

WHYY, NewsWorks Tonight<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Andrea Modica: January 1<\/a><\/em><\/span><\/strong><\/p>\n

Lenscratch<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

In \u201cJanuary 1,\u201d A New Photography Collection Casts Mummers In A Different Light<\/a><\/em><\/span><\/strong><\/p>\n

University City Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

artblog April Picks | Book Launch: Andrea Modica, \"January 1\"<\/a><\/em><\/span><\/strong><\/p>\n

artblog<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

TimeOut Philadelphia events in April 2018<\/a><\/em><\/span><\/strong><\/p>\n

TimeOut Philadelphia<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Yoonmi Nam: Still<\/a><\/em><\/span><\/strong><\/p>\n

caa.reviews<\/a>
\npdf<\/a><\/span><\/strong><\/p>\n<\/div><\/div><\/div>

Philadelphia art galleries in spring 2018<\/a><\/em><\/span><\/strong><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n

\n<\/div><\/div><\/div>

Groundbreaking paper-making<\/span><\/a><\/em><\/strong><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n

\n<\/div><\/div><\/div>

Print Center presents \u2018Collaborative Histories: Dieu Donn\u00e9 + By the Book Vol. 2\u2019 <\/a><\/em>Works on (and in) paper<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n

\n<\/div><\/div><\/div><\/div>

2017<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

The Print Center presents \u2018Martin Puryear: Prints, 1962-2016\u2019 Powerful printmaking<\/a><\/em><\/span><\/strong><\/p>\n

Broad Street Review<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

New Season, New Art: Fall Begins with 45 Notable Exhibitions Featuring Works by Black Artists<\/a><\/em><\/strong><\/span><\/p>\n

Culture Type<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

In Philly galleries now: A print show by the 'Bling' sculptor, and serious color at Locks<\/a><\/em><\/strong><\/span><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Big Bling has renewed interest in sculptor Martin Puryear's drawings<\/a><\/em><\/strong><\/span><\/p>\n

NewsWorks WHYY<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

15 Top-Flight Gallery Shows to See in Philly this Fall<\/a><\/em><\/strong><\/span><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/span><\/strong><\/p>\n<\/div><\/div><\/div>

The State of the Print<\/em><\/a><\/strong><\/span><\/p>\n

Title Magazine<\/a>
\n<\/span>pdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Poetic, deeply personal works<\/em><\/a><\/strong><\/span><\/p>\n

The Philadelphia Inquirer and Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Hunt, Gather, Build, In The Studio with Rebecca Gilbert<\/em><\/a><\/strong><\/span><\/p>\n

YouTube<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

\u00a0One for the books\u2013Philadelphia Art Book Fair 2017<\/a><\/em><\/strong><\/span><\/p>\n

artblog <\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Philadelphia Art Book Fair is the perfect way <\/em><\/a>to spruce up your book shelf<\/em><\/a><\/strong><\/span><\/p>\n

Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

5 Philadelphia Art Book Fair recommendations<\/a><\/em><\/strong><\/span><\/p>\n

Billy Penn<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Welcome to the Bookworm\u2019s Dream<\/a><\/em><\/strong><\/span><\/p>\n

Geekadelphia<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Rebecca Gilbert: Wonder<\/a><\/em><\/strong><\/span><\/p>\n

Words on Woodcuts (blog)<\/a>
\npdf <\/a> <\/strong><\/p>\n<\/div><\/div><\/div>

Review | Daily Life: Photography from Lithuania at Philadelphia\u2019s Print Center<\/a><\/em><\/strong><\/span><\/p>\n

Mus\u00e9e<\/a> Magazine<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Galleries: Despair behind the Curtain<\/a><\/em><\/strong><\/span><\/p>\n

Philly.com<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

2016<\/h3>

<\/a>.<\/span><\/p>\n<\/div><\/div><\/div><\/div>

Daily Life: Photography from Lithuania <\/i><\/b><\/span>@ The Print Center<\/i><\/b><\/span><\/a><\/p>\n

F-Stop Magazine<\/p>\n

<\/a><\/p>\n<\/div><\/div><\/div>

The Print Center presents Daily Life: Photography from Lithuania, Lithuania in pictures<\/a><\/em><\/strong><\/span><\/p>\n

Broad Street Review<\/a>
\npdf<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

With a Twinkle in the Skies: Victoria Burge\u2019s Prints Transform The Print Center into a Planetarium<\/em><\/a><\/strong><\/span><\/p>\n

ARTnews<\/a>
\n<\/span>pdf<\/a><\/span><\/strong><\/p>\n<\/div><\/div><\/div>

Philly Gallery Scene for Fall<\/em><\/a><\/strong><\/span><\/p>\n

The Philadelphia Inquirer<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div>

Experiments in Print<\/em><\/a><\/strong><\/span><\/p>\n

Artnet<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

Rebecca Gilbert<\/em><\/a><\/strong><\/span><\/p>\n

TSV The Studio Visit<\/a>
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Philadelphia Art Book Fair Returns<\/em><\/strong><\/span><\/a><\/p>\n

visitphilly.com
\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div>

The Philadelphia Art Book Fair<\/em><\/a><\/strong><\/span><\/p>\n

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By the Book: New Photography Publications<\/em><\/a><\/strong><\/span><\/p>\n

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2015<\/h3>

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Happy Birthday to The Print Center<\/em><\/a><\/strong><\/span><\/p>\n

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The Print Center<\/em><\/a><\/strong><\/span><\/p>\n

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\npdf<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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