{"id":6458,"date":"2018-07-11T16:08:09","date_gmt":"2018-07-11T20:08:09","guid":{"rendered":"https:\/\/printcenter.org\/100\/?page_id=6458"},"modified":"2019-05-02T17:01:21","modified_gmt":"2019-05-02T21:01:21","slug":"toner-pakradooni","status":"publish","type":"page","link":"https:\/\/printcenter.org\/100\/toner-pakradooni\/","title":{"rendered":"Rochelle Toner: Tying a Knot in a Cherry Stem<\/i>
and
Lauren Pakradooni: Static Slip<\/i>"},"content":{"rendered":"

September 14 - November 10, 2018<\/span><\/strong>
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Rochelle Toner: Tying a Knot in a Cherry Stem<\/em><\/strong><\/h4>\n
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Tease<\/em>, 2010<\/figcaption><\/figure>\n

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Recent abstract watercolor drawings and collages by this masterful Philadelphia printmaker. New works were complemented by a selection of prints and objects from the artist's idiosyncratic personal collections. The exhibition was accompanied by a 16-page brochure featuring 12 color images and a newly commissioned essay on Toner's work by Judith Tannenbaum.<\/p>\n

\u201cOver the years my work has evolved, becoming less specifically referential. However abstract some pieces or series may seem, they have always had a referent, a source or a point of departure in the world of nature and human interaction. Over the years, I came to notice that my work\u2019s single most important theme or common denominator is the concept of dynamics, defined by Merriam-Webster as a branch of mechanics dealing with \u2018forces and their relation primarily to motion but sometimes to the equilibrium . . . of bodies; . . . a process of change, growth, or activity . . . variation and contrast in force or intensity.\u2019 \u201d<\/p>\n

- Rochelle Toner<\/p>\n

Rochelle Toner: Tying a Knot in a Cherry Stem<\/em> was made possible by special project support from the Edna W. Andrade Fund of The Philadelphia Foundation.<\/p>\n

Brochure<\/a><\/span><\/strong><\/p>\n

Press Release<\/a><\/span><\/strong><\/span><\/p>\n

Press Images<\/a><\/strong>
\n 
\nPress<\/strong><\/span><\/p>\n

\u201cRochelle Toner: Layers of Mark and Meaning<\/span><\/a><\/span>,\u201d SGCI Graphic Impressions,<\/em> Fall 2018\u00a0\u00a0 pdf<\/a><\/span><\/strong><\/p>\n

\"In Philadelphia galleries: A former Temple dean gets her close-up<\/a><\/span>,\" The Philadelphia Inquirer<\/em> and Philly.com<\/em>, Edith Newhall, October 28, 2018\u00a0 pdf<\/a><\/span><\/strong><\/p>\n

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Past Event<\/strong><\/a><\/span>
\nConversation + Book Launch: Rochelle Toner, Collage Drawings 1873 \u2013 2018
\n<\/em>October 10, 6:00pm - 7:30pm<\/p>\n<\/div><\/div>

<\/div><\/h4>\n

Lauren Pakradooni: Static Slip<\/em><\/strong><\/h4>\n

September 14 - November 10, 2018<\/span><\/strong><\/p>\n

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Surest Bask<\/em>, 2018<\/figcaption><\/figure>\n

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The exhibition featured the work of an emerging Philadelphia artist whose practice begins with printmaking and expands into sculpture.<\/p>\n

\u201cI am consistently expanding and inventing new ways of using print techniques that experiment with implied dimension, low-relief, and sculptural applications of print media\u201d says Pakradooni. \u201cImagery is screenprinted and then seamlessly applied to sculpted forms, to create trompe l'oeil or faux surface texture. Traditional intaglio and relief prints are embossed, giving the paper a sculptural quality that becomes visible in raking light.\u201d<\/p>\n

- Lauren Pakradooni<\/p>\n

Gallery Notes<\/a><\/span><\/strong><\/p>\n

Press Release<\/a><\/strong><\/p>\n

Press Images<\/a><\/strong><\/p>\n

Past Event<\/a><\/strong><\/span>
\nArtist Lecture & BYO Social
\nLauren Pakradooni and\u00a0Second State Press
\nWednesday, November 7, 2018, 6:00pm<\/p>\n<\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

September 14 – November 10, 2018   Rochelle Toner: Tying a Knot in a Cherry Stem   Recent abstract watercolor drawings and collages by this masterful Philadelphia printmaker. New works were complemented by a selection of prints and objects from … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-6458","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/6458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/comments?post=6458"}],"version-history":[{"count":20,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/6458\/revisions"}],"predecessor-version":[{"id":6487,"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/pages\/6458\/revisions\/6487"}],"wp:attachment":[{"href":"https:\/\/printcenter.org\/100\/wp-json\/wp\/v2\/media?parent=6458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}