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Circuits of Print
Lisa Blas
All works courtesy of the Artist
All photos by Brad Farwell
Enter Stage Left (Monday’s image, v. 1), 2018
Dye sublimation print on silk
40” x 32”
Unique
Enter Stage Left (Monday’s image, v. 1), 2018
Offset lithograph
30” x 22 ¾” unfolded, 15” x 11” folded
Edition of 500
Enter Stage Left (Monday’s image, v. 1)
Installation view
First(s), Monday’s image, v. 2
First(s), Monday’s image, v. 4
First(s), Monday’s image, v. 5
First(s), Monday’s image, v. 8
2021
Dye sublimation prints on silk
40” x 30”
Unique
First(s), Monday’s image, v. 1
First(s), Monday’s image, v. 3
First(s), Monday’s image, v. 6
First(s), Monday’s image, v. 7
2021
Dye sublimation prints
40” x 30”
Edition of 3 with 2 APs
Helena Hernmarck
Front Pages, 1981-82
Wool, cotton and linen tapestry with discontinuous tabby weave and discontinuous pattern including soumak technique
94” x 118 ½”
Courtesy of the Artist and the Museum of Arts and Design, New York
Photo: Eva Heyd
Archival images related to works by Helena Hernmarck
All images courtesy of the Artist
Two detail photographs of Front Pages
Installation view of Front Pages at the American Craft Museum, New York (now Museum of Arts and Design)
Installation view of Front Pages at the Helena Hernmarck retrospective at the Fashion Institute of Technology, New York, 1999
Installation view of Front Pages at the Helena Hernmarck retrospective at the Prins Eugens Waldemarsudde, Stockholm, 1999. Photo: Ake E:son Lindman
Source image for Front Pages by Sally Andersen-Bruce
Beatriz González
All works courtesy of the Artist, Casas Riegner, Bogotá and Banco de Archivos Digitales de Artes en Colombia, Bogotá.
Jackeline Oasis, 1975
Screenprint
19 ¾” x 19 ¾”
Edition of 25
Printed at the Enrique Hernández Workshop
La actualidad ilustrada [Illustrated current events], 1973
Screenprint
22 ½” x 24 ¾“
La iglesia está en peligro [The Church is in Danger], 1976
Screenprint
19 ½” x 19 ½”
Edition of 25
Printed at the Enrique Hernández Workshop
Lesa majestad [High Treason], 1974
Screenprint
30” x 18”
Edition of 150
Printed at the Enrique Hernández Workshop
Archival images related to works by Beatriz González
Clipping from a newspaper with the image of Jacqueline Onassis on camelback [Recorte de periódico con la imagen de Jacqueline Onassis a lomo de camello], as published in EL TIEMPO
Clipping from a newspaper with an image of the news “The Church is in Danger” [Recorte de periódico con imagen de la noticia “La iglesia está en peligro”], as published in EL TIEMPO
Clipping from a newspaper with the image of the mural The liberator inaugurates the constitutional regime of Colombia in the Villa del Rosario by Santiago Martínez [Recorte de periódico con la imagen del mural El libertador inaugura el régimen constitucional de Colombia en la Villa del Rosario de Santiago Martínez], as published in EL TIEMPO
Magazine cover with the image “Anna and Mark, the couple of the year” [Portada de revista con la imagen “Ana y Mark, la pareja del año”], as published in CROMOS
Soledad Salamé
All works courtesy of the Artist and Goya Contemporary Gallery, Baltimore
All photos by Michael Koryta
Farmer
Drought
Looking at Freedom
Obama
Untitled
Water Bases
From the series “Layered News,” 2019-2020
Embroidered prints
12” x 12”
Drought
Looking at Freedom
From the series “Newspaper, Almost Transparent,” 2019-2020
Laser-engraved and sandblasted folded glass
12” x 12”
Unique
Print as Transposition
Jennifer Bolande
All works courtesy of the Artist and Magenta Plains, New York
Frontal view of Image Tomb (with skeletons)
Overhead view of Image Tomb (with skeletons)
2014
Newspaper, pigment prints, vitrine and wood
45 ½” x 13 ½” x 13 ½”
Composition of Decomposition #65
Composition of Decomposition #84
Composition of Decomposition #145
Composition of Decomposition #156
Composition of Decomposition #164
Composition of Decomposition #217
Composition of Decomposition #257
Composition of Decomposition #321
2016-2017
Pigment prints
19 ¾” x 32”
Chryssa
Newspaper, c.1962
Transfer print and pencil on canvas
104 ½” × 120 ½” × 1”
Courtesy of The Menil Collection, Houston
Photo: George Hixson © Bridgeman Images
Rita Maas
All works courtesy of the Artist
April 2 – April 8, 2020, 2020
December 19 – December 25, 2019, 2020
January 7 – January 13, 2021, 2021
January 21 – January 27, 2021, 2021
July 2 – July 8, 2020, 2020
July 23 – July 30, 2020, 2020
May 14 – May 20, 2020, 2020
November 5 – November 11, 2020, 2020
October 16 – October 22, 2020, 2020
September 17 – September 24, 2020, 2020
From the series “Today I Got Up”
Sharpie and reclaimed Epson ink
22” x 17”
Unique
Jef Geys
All works courtesy of the Estate of Jef Geys / Kazini
Kempens Informatieblad, Biotoop, May 2003
Kempens Informatieblad, Edition Speciale Frac Champagne – Ardenne Reims, June 1995
Kempens Informatieblad, Edition Speciale – Le Magasin – Grenoble, February 25, 1989
Kempens Informatieblad, Martin Douven Leopoldsburg and Jef Geys – Production-Line Paintings, 2011
Kempens Informatieblad, Sonderausgabe Kunstverein München, October 2001
Kempens Informatieblad, Speciale Editie Biennale Venetië, 2009
Kempens Informatieblad, Speciale Editie Kodec, December 2010
Kempens Informatieblad, Speciale Editie Leuven, Edition Speciale Wavrin “Lapin Rose Robe Bleu,” March 1992
Kempens Informatieblad, Speciale Editie Paleis Voor Schone Kunsten Brussel, June 3 – July 2, 1992
Kempens Informatieblad, Speciale Editie Pori, June 2005
Kempens Informatieblad, Speciale Editie Siegen, Fall 2003
Kempens Informatieblad, Speciale Editie Villeurbanne, April 6 – June 3, 2007
Kempens Informatieblad, Speciale Editie Wakken – Brugge – Zedelgem, September 22, 1991
Kempens Informatieblad, Speciale Editie Wikileaks – Nanotechnology, 2012
Kempens Informatieblad, Special Edition Detroit – Woodward Avenue, 2010
Kempens Informatieblad, Special Edition – New York
Kempens Informatieblad, Special Edition Serpentine London, March 1995
Print Interventions
Laura Fields
All works courtesy of the Artist, 12” x 6”
The New York Times, May 31, 2012, 2014
Spread from Front Pages with Pictures of Women
The New York Times, September 5, 2012, 2014
Spread from Front Pages with Pictures of Women
The New York Times, February 21, 2013, 2014
Spread from Front Pages with Pictures of Women
The New York Times, February 24, 2013, 2014
Spread Front Pages with Pictures of Women
The New York Times, November 17, 2014, 2017
Spread from Front Pages with Pictures of Women and Flowers
The New York Times, October 13, 2015, 2017
Spread from Front Pages with Pictures of Women and Flowers
The New York Times, March 24, 2016, 2017
Spread from Front Pages with Pictures of Women and Flowers
The New York Times, May 17, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID
The New York Times, July 12, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID
The New York Times, November 5, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID
The New York Times, December 24, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID
The New York Times, December 26, 2020, 2020
Spread from Front Pages with Pictures of Women Fighting COVID
Dan Perjovschi
All works courtesy of the Artist
The Wall after the Wall after the Wall…
Installation view with the artist from the exhibition Le mur après le mur après le mur, Michel Rein, Paris 2018
Welt not Well
Installation view in the exhibition Drawing Politics at Reinbeckhallen, Berlin, 2017
Welt not Well (Gaga)
Welt not Well (Hero)
Welt not Well (War)
2017
Ink on newsprint
The Wall after the Wall after the Wall… (Hope)
The Wall after the Wall after the Wall… (Populists)
2018
Ink on newsprint
Donna Ruff
All works courtesy of the Artist and Rick Wester Fine Art, New York
9.7.15, 2015
18.2.16_Daniel, 2017
From “The Migrant Series”
Deacidified newspaper
16” x 14”
Unique
After Irma, 2018
Daniel, 2017
Division, 2018
Polar Melt, 2018
Pigment prints of collaged photograms
Edition of 3
Paul Thek
All works courtesy Alexander and Bonin, New York
Photos: Jorge Lohse © The Estate of George Paul Thek
Earth Men, 1975
Acrylic on newspaper
22 ¾” x 33 ¼”
Untitled (Birds and Mushroom), c.1969
Gouache and collage on newspaper
23” x 17”
Untitled (C.D.F.), 1975
Watercolor and colored chalk on newspaper
50 ⅜” x 35 ¼”
Untitled (Fishtail), c.1969
Acrylic on newspaper
22 ¾” x 16 ¾”
Untitled (Hammer and Sickle), 1975
Oil pastel on newspaper
22 ¾” x 33 ½”
While There is Time Let’s Go Out and Feel Everything, 1988
Acrylic on newspaper
22” x 27 ½”
