Tease, 2010, Watercolor drawings on Arches cover paper, 19 ¾” x 16 ¾”
Domit, 2014, Watercolor drawings on Arches cover paper, 19 ¾” x 16 ¾”
Fan, 2007, Watercolor drawings on Arches cover paper, 19 ¾” x 16 ¾”
Picket, 2007, Watercolor drawings on Arches cover paper, 19 ¾” x 16 ¾”
Stack, 2008, Watercolor drawings on Arches cover paper, 19 ¾” x 16 ¾”
Installation view. Photo: Jaime Alvarez
Black Ovals, 2016, Magazine clippings on Arches cover paper, 20” x 17”
Blue Gold, 2016, Magazine clippings on Arches cover paper, 20” x 17”
Installation view. Photo: Jaime Alvarez
Plate XV, 2018, Watercolor on antique book pages from
U.S. Geological Survey of the Territories,
Philadelphia: Thomas Sinclair & Son, 1873,
20” x 17”
Installation view. Photo: Jaime Alvarez
Contents Under Pressure, 1972, Intaglio on Murillo paper, 37 ½” x 27 ½”, Edition 12 of 25
Uvula Uvula, 2004, Intaglio on Arches cover paper, 17 ¼” x 15 ¾”, AP, Edition of 30
Installation view. Photo: Jaime Alvarez
#13, 2017, From the series "Playing With Dolls", Magazine clippings on Arches cover paper, 20” x 17”
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Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985 , Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Reception at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Reception at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Reception at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Reception at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
Streets of Philadelphia: 1970-1985, Installation View at Prospektas Gallery of Photography, Vilnius, Lithuania, 2016
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Victoria Burge, Coastline detail, 2016, Photo: Jaimephoto
Victoria Burge, Coastline detail, 2016, Photo: Jaimephoto
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge, Mill River, Haydenville, MA, Winter 2015
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge, Lacuna I, 2012
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge, Night River, 2016
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge, Lumograph I, 2016
Victoria Burge: Penumbra, Installation View, 2016, Photo: Jaimephoto
Victoria Burge, Light Study I, 2015
Victoria Burge and Scott Kip, Untitled, 2016, Photo: Jaime Alvarez
Victoria Burge and Scott Kip, Untitled, 2016, Photo: Jaime Alvarez
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Caleb Charland,
Camera Placed on My Chest While Laying
on the Ground at Night for More than
Two Hours, 2015
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
Chris Colville, Untitled Work of Fire .02-4-14, 2014
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
Garrett O. Hansen, Void, .40 Caliber, 2015
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
Marianne Degas, An Equivalent IX, 2015
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
Celestial/Terrestrial, Installation View, 2016, Photo: Jaimephoto
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Jeffrey Dell: Sightings, Installation View, 2016, Photo: Jaimephoto
Jeffrey Dell: Sightings, Installation View, 2016, Photo: Jaimephoto
Jeffrey Dell: Sightings, Installation View, 2016, Photo: Jaimephoto
Jeffrey Dell: Sightings, Installation View, 2016, Photo: Jaimephoto
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Andrew Fillmore: This Time is Always the Present, Installation View, 2016, Photo: Jaimephoto
Andrew Fillmore: This Time is Always the Present, Installation View, 2016, Photo: Jaimephoto
Andrew Fillmore: This Time is Always the Present, Installation View, 2016, Photo: Jaimephoto
Andrew Fillmore: This Time is Always the Present, Installation View, 2016, Photo: Jaimephoto
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Andrew Fillmore: This Time is Always the Present, Installation View, 2016, Photo: Jaimephoto
Leah Mackin: Portable Document, Installation View, 2016, Photo: Jaimephoto
Leah Mackin: Portable Document, Installation View, 2016, Photo: Jaimephoto
Leah Mackin: Portable Document, Installation View, 2016, Photo: Jaimephoto
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Kate Shepherd, BAZOOKA JOE, VALUE 3 COMICS, 333 ROUND PLAYING CARDS, The Three Trees, 2013
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Derrick Adams, Game Changing (Queen), 2015
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Dread Scott, BOOM! Sign of the Times, 2001
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
Experiments in Print, Installation View, 2016, Photo: Jaimephoto
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Jesse Burke, Flesh and Blood, 2012
By the Book, Installation View, 2016, Photo: Jaimephoto
David Hartt, Kiosk at The Johnson Publishing Company Headquarters, Chicago, IL, 2011
By the Book, Installation View, 2016, Photo: Jaimephoto
Andrea Modica, Pine Plains, New York, 2010
By the Book, Installation View, 2016, Photo: Jaimephoto
Will Steacy, Newsroom, Facing 15th Street, 6:11pm, 2010
By the Book, Installation View, 2016, Photo: Jaimephoto
Nadia Sablin, A Six Letter Word for..., 2010
By the Book, Installation View, 2016, Photo: Jaimephoto
Stephanie Bursese, Distant Explosion, 2015
By the Book, Installation View, 2016, Photo: Jaimephoto
By the Book, Installation View, 2016, Photo: Jaimephoto
Keliy Anderson-Staley, Doug DuBois, 2010
By the Book, Installation View, 2016, Photo: Jaimephoto
By the Book, Installation View, 2016, Photo: Jaimephoto
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Gabriel Martinez, "Untitled (Bayside Projection)", 16mm projection on mirror ball, sand and glitter, dimensions variable, 2015, Courtesy: Wakefield Poole
Gabriel Martinez, "Meat Rack",
35mm slide projections, dimensions variable, 2015
Gabriel Martinez, "Radial Projection (35)",
unique silver gelatin print, 24" x 20", 2015
Gabriel Martinez, "Radial Projection (38)", unique silver gelatin print, 24" x 20", 2015
Gabriel Martinez, "Radial Projection (41)", unique silver gelatin print, 24" x 20", 2015
Installation View of
Installation view, "Live Hard", 72" x 108", laser-etched fabric on wood, 2015
Installation view
Gabriel Martinez, "BITS (Bayside 2)", inkjet image transfer, silkscreen, palladium leaf on paper, 16" x 21", 2015
Courtesy: Wakefield Poole
Gabriel Martinez, "BITS (Bayside 5)", archival inkjet, silkscreen, palladium leaf on paper, 42" x 19.75", 2015
Courtesy: Wakefield Poole
Gabriel Martinez, "BITS (Bayside 9)", inkjet image transfer on Plexiglass, 18" x 8.75"
2015, Courtesy: Wakefield Poole
Gabriel Martinez, "BITS (Filmstrip 1)", inkjet image transfer on Plexiglass (Chromatone), 16.5" x 37.375", 2015, Courtesy: Wakefield Poole
Gabriel Martinez, "BITS (Poolside 7)", inkjet image transfer on Plexiglass (Chromatone)
34.75" x 16.5", 2015, Courtesy: Wakefield Poole
Gabriel Martinez, "Grove Hotel", Fujiflex Crystal Archive print, 30" x 45", 2015
Gabriel Martinez, "Bayside (1)", 35.5" x 53.5", archival inkjet, silkscreen, silver leaf on paper, 2014
Gabriel Martinez, "Bayside (5)", 35.5" x 53.5", archival inkjet, silkscreen, silver leaf on paper, 2014
Walker Evans, "Church of the Nazarene, Tennessee", 1936
Gelatin silver print, Courtesy of Haverford College Libraries, Special Collections
Martha Madigan, "Falls Bridge", 1981, Cyanotype, Courtesy of the artist
Installation view
Installation view
Installation view
Installation view
Kara Walker, "Alabama Loyalists Greeting the Federal Gun-Boats", 2005, Offset lithograph with screenprint, Courtesy of LeRoy Neiman Center for Print Studies, Columbia University
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
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Installation view
Kara Walker, "Alabama Loyalists Greeting the Federal Gun-Boats", 2005, Offset lithograph with screenprint, Courtesy of LeRoy Neiman Center for Print Studies, Columbia University
Walker Evans, "Church of the Nazarene, Tennessee", 1936
Gelatin silver print, Courtesy of Haverford College Libraries, Special Collections
Martha Madigan, "Falls Bridge", 1981, Cyanotype, Courtesy of the artist
Installation view
Installation view
click to view images from the exhibition
Installation view
Installation view
Installation view
Installation view
Installation view
click to view images from the exhibition
